

ANU MUSEUM OF THE JEWISH PEOPLE
CHARITY AUCTION
HANUKKAH / DECEMBER 2025
Bid today with your tzedaka to strengthen Jewish Peoplehood worldwide.
Please bid generously on these original treasures connected to the history and luminaries of the Jewish People, all sourced by the curators at Curio Auctions. Use your charitable giving to acquire authentic heirlooms that will inspire your family’s relationship with tzedaka for generations to come, while supporting ANU's vital mission of educating, inspiring and unifying the Jewish People globally.
'ANNE FRANK STORIES' FROM THE HIDDEN ANNEX
+ ANNE FRANK HOUSE AUTOGRAPHED & DATED
BY HER LOVING FATHER, SURVIVOR OTTO FRANK
1968, AMSTERDAM & TEL AVIV
RESERVE: $2800 (estimate $3600-$4100)
"A few weeks ago, I started writing a story, something I made up from beginning to end, and I’ve enjoyed it so much that my pen-and-inklings are piling up." - Anne Frank's Diary dated August 7th 1943 "The nicest part is being able to write down all my thoughts and feelings; otherwise, I'd absolutely suffocate. - Anne Frank's Diary dated March 16th 1944. Anne hoped one day to become a famous writer or journalist. Although she doubted from time to time whether she was talented enough, Anne wanted to write anyway... Few names in Jewish and world history resonate with such poignancy as Anne Frank. Her diary, written while in hiding during the Holocaust, has become perhaps the single most recognized testimony of the Jewish experience under Nazi tyranny, capturing the imagination of generations with its raw humanity, unbroken hope, and tragic silence. The present lot from 1968 brings together rare and deeply moving artifacts directly connected to Anne Frank’s life and legacy. Tel Aviv's Yavneh Press edition of Stories from the Secret Annex— a posthumous collection of Anne’s lesser-known writings—and, most significantly, a rare original Anne Frank House postcard boldly signed and dated by her father, Otto Frank, the sole survivor of the Frank family and the man who dedicated his life to ensuring his daughter’s voice would never be silenced. Anne Frank, born Anneliese Marie Frank in Frankfurt am Main in 1929, was only four years old when her family fled Nazi Germany for Amsterdam in 1933, seeking refuge from the escalating antisemitic persecution unleashed by Hitler’s rise to power. Yet safety proved temporary: by May 1940, the German army had invaded and occupied the Netherlands, and by July 1942, with deportations of Dutch Jews underway, Otto Frank moved his wife Edith, daughters Margot and Anne, into a concealed annex above his spice and pectin business on Prinsengracht 263. For over two years, the family—together with the van Pels family and later Fritz Pfeffer—lived in secrecy, sustained by the courage of Dutch helpers such as Miep Gies. During those years in the “Achterhuis” (Secret Annex), Anne filled her now-famous diary with intimate reflections, dreams, and observations, but she also composed short stories, fairy tales, and an unfinished novel. These works, later collected under the title Verhalen rondom het Achterhuis (Stories from the Secret Annex), reveal another dimension of her extraordinary talent: a precocious writer experimenting with fiction, allegory, and humor even in the darkest of times. Unlike her diary—intended as a private confessional—Anne shared these stories with her family and even dreamed of publication. On March 28, 1944, after hearing an exiled Dutch minister on the BBC urge citizens to preserve wartime accounts for posterity, Anne began consciously rewriting and editing her diary for future publication, titling it Het Achterhuis (The Secret Annex). Tragically, Anne’s literary ambitions were cut short. On August 4, 1944, following a betrayal, the hidden Jews of Prinsengracht were arrested. The Franks were deported to Westerbork transit camp, then Auschwitz. In late October, Anne and Margot were transferred to Bergen-Belsen, where both perished of typhus in early 1945, only weeks before the camp’s liberation. Edith Frank had already died in Auschwitz; only Otto survived, liberated by the Red Army on January 27, 1945. In July 1945, Miep Gies gave Otto Frank the preserved notebooks and papers she had saved from the Annex. Initially too devastated to read them, Otto eventually confronted the writings of his beloved youngest daughter, discovering in them a depth of thought and feeling he had never fully realized in life. “For me it was a revelation,” he later wrote. “I did not know the depth of her thoughts and feelings… She kept all these feelings inside her.” Determined that Anne’s words should live, Otto arranged for the diary’s first publication in Dutch in 1947. From there it spread worldwide, translated into dozens of languages, embraced by millions, and elevated into one of the most influential books of the 20th century. Writers like Primo Levi and Simon Wiesenthal emphasized its universal resonance, noting how readers saw in Anne’s words not only a Jewish child’s tragedy, but also a mirror of their own families and humanity. Otto Frank devoted the remainder of his life to preserving Anne’s legacy, tirelessly supporting editions, translations, adaptations, and the establishment of the Anne Frank House as a museum and educational center. He described his unique role with humility, noting that while usually children carry the legacy of their famous parents, his life had been reversed: “In my case, the tables were turned.” To the end of his days, Otto answered letters from young readers, guided exhibitions, and reminded the world of the lessons his daughter’s voice carried. The black and white photograph card of the Anne Frank House, the site of the family’s hiding place in Amsterdam, signed and dated by Otto Frank on December 14, 1968— is a deeply personal testimony from the man who alone bore the burden of memory. Written in his distinctive hand, this autograph is more than a signature; it is the mark of the father who carried Anne’s words into eternity. Anne Frank: Stories from the Secret Annex has 114 pages, with illustrations by Dominique Rolland and Eve Nathan. This rare Hebrew edition collects Anne’s short stories, fables, and fragments, showcasing her remarkable imagination and literary gift beyond the diary. Among the writings included are whimsical tales, reflections on her schooldays, and passages inspired by the daily life of the Annex, all of which deepen our understanding of Anne not only as a diarist, but as an aspiring novelist. Together, these artifacts embody both the silence of loss and the endurance of memory. They remind us that while Anne’s life was stolen, her words remain indestructible. As Simon Wiesenthal observed, “People identify with this girl, and say in their hearts: this was the Holocaust. This was a family like mine.” A historic and profoundly moving lot. 6.75x9.5in; 114 Pages, In Good Condition



THEODOR HERZL ICONIC PHOTOGRAPH
1ST ZIONIST CONGRESS PHOTOGRAPHER
ROBERT SPRENG IN BASEL SWITZERLAND
1907, BASEL, SWITZERLAND
RESERVE: $5000 (estimate $7000-$9000)

This striking studio portrait of Theodor Herzl, the visionary father of modern Zionism, was captured in Basel by the distinguished photographer Robert Spreng, court photographer of Baden and official documenter of the first Zionist Congresses. The cabinet photograph, printed circa 1907, reflects the enduring power of Herzl’s image in the years immediately following his death in 1904, when his likeness became a sacred emblem for the Zionist cause and the Jewish People worldwide. Basel, the very city where Herzl convened the First Zionist Congress in 1897, holds an immortal place in Jewish history. It was there that 208 delegates from across the Jewish world gathered, as Herzl himself recorded in his diary, to lay the foundation stone of the future Jewish State. “At Basel,” Herzl wrote, “I founded the Jewish State. If not in five years, then certainly in fifty, everyone will realize it.” Fifty years later, in 1947, the United Nations voted to create the State of Israel, proving Herzl’s prophetic words true. Robert Spreng, whose studio produced this portrait, was no ordinary photographer. A recipient of multiple international awards for his art, Spreng was entrusted with the weighty role of recording the Zionist Congresses themselves—the seminal gatherings where Jewish history was being rewritten. His Basel studio, just steps away from the Zionist Congress halls, became a place where Herzl’s likeness was enshrined and reproduced, ensuring that the image of the great leader would circulate among Jews in Europe and beyond. In the aftermath of Herzl’s untimely death, photographs such as this one were cherished as icons, carried in homes, schools, and communal halls, embodying both reverence for Herzl and commitment to his dream. Herzl’s pose here—formal, upright, and resolute—captures the man who dared to dream of the Jewish Homeland at a time when such an idea was dismissed by many as fantasy. Yet Herzl’s genius lay not only in dreaming but in mobilizing. Through his tireless diplomacy, his charismatic leadership, and his belief that the Jewish people must seize their own destiny, he set in motion the chain of events that culminated in Israel’s rebirth. This rare photograph is far more than a collector’s item. It is a tangible link to the very origins of Zionism, to Basel—the cradle of the State of Israel—and to Herzl himself, whose prophetic vision continues to inspire Jews across the world. That it was produced by the very photographer who stood in the Congress halls alongside Herzl and the early Zionist leaders makes it an even more precious artifact, one that bridges the symbolic with the historical. To hold this portrait is to hold a piece of the Zionist revolution itself, a sacred keepsake from the city where Jewish national destiny was reborn. 6.5x4.25in; In Very Good Condition

ANTIQUE MOROCCAN HANUKKAH MENORAH
OIL LAMPS WITH BIRD & ARCH DESIGN MOTIFS
EARLY 20TH CENTURY, MOROCCO
RESERVE: $1600 (estimate $2000-$2300)
This exquisite antique Moroccan Hanukkah menorah, crafted in the early 20th century, is a stunning embodiment of the rich cultural tapestry woven by the Jewish community of Morocco, reflecting the deep connections between Jewish and Islamic artistic traditions. Dating back to approximately 1900, this hanging brass oil lamp is characterized by intricate openwork designs and motifs of birds and architectural arches that speak to the harmonious coexistence of diverse cultures throughout history. Remarkably, this hand-crafted piece of Judaica features intentional asymmetry that enhances its character. Observe the top arch, which gracefully cascades to the left but abruptly ceases on the right side. This is not a sign of broken damage, but a design choice which is a classic example of the Islamic artistic tradition infused into this Jewish treasure. In Islamic art, minor imperfections are often embraced as a reflection of humility and a recognition of the perfection that only God embodies. Craftsmen from the Islamic world typically introduce subtle flaws as an acknowledgment that human beings are inherently imperfect and cannot achieve the faultlessness reserved for the divine—a sentiment resonant among both Jews and Muslims. Striving for absolute, machine-like perfection can, for some, be perceived as an act of arrogance or an attempt to emulate God's ultimate creative capacity. The deliberate "error" serves as a symbol of humanity, highlighting the touch of the artisan in the creation process and adding a unique narrative to the piece that a machine-made product would lack. North African art frequently celebrates the natural world, embracing variations and irregularities as integral to its beauty and dynamism, making this menorah not just a functional object but a profound expression of cultural and artistic heritage. Historically, the Jewish community in Morocco has been a vibrant and integral part of the country’s cultural landscape, dating back over two millennia. The Jews of Morocco, often referred to as Sephardim, developed a unique cultural identity that combined Jewish religious traditions with the rich influences of Islamic culture that surrounded them. As trade routes flourished and interactions between communities increased, Moroccan Jews embraced certain local customs, resulting in a distinctive blend of artistic expression that remains evident in their ceremonial objects. This Hanukkah menorah not only functions as a vessel for oil lamps during the festival of lights but also serves as a testament to the artistry and craftsmanship unique to Moroccan Jewish artisans. The incorporation of stylized bird figures flanking the central design signifies freedom, hope, and a connection to nature. These motifs, as well as the intricate arch designs, draw from Islamic architectural aesthetics and symbolize the rich, intermingling narratives of the Jewish diaspora. The arches evoke the beauty of the mosques that populate Morocco and exemplify the shared artistic heritage that emerged under centuries of Islamic rule. The menorah’s backplate, expertly pierced and chased with scrolling foliage, creates a breathtaking play of light and shadow that enhances the warmth of the flickering oil lamps when lit. The eight 'mihrabs', or decorative arches, reflect not only the craftsmanship but also the spiritual gateways to higher meaning, echoing the miracles of Hanukkah that celebrate resilience and faith amid adversity. As members of the Moroccan Jewish community navigated periods of prosperity and persecution, their artistry flourished and became a means of cultural expression and identity preservation. This menorah embodies the essence of their tradition—the cherished values of family, community, and remembrance, enriched by the intricacies of their multicultural environment. The artistic influences from neighboring Islamic traditions infused Jewish ceremonial artifacts with unique designs and functionalities, highlighting the shared histories and influences between communities. Owning this antique Moroccan menorah provides a profound connection to the multicultural narratives of the Jewish diaspora and a testament to the enduring legacy of Moroccan Jewry. It stands as a beautiful reminder of the artistry birthed from coexistence and the unshakeable spirit of a community that thrived, preserved their identity, and made indelible contributions to the broader tapestry of Jewish history. This piece is not only a functional object cherished during Hanukkah but also a celebration of the light of culture, unity, and resilience that continues to inspire current and future generations. 9.5x7in; In very Good Condition with signs of use over the generations

'THE TITANIC'S DISASTER', RARE
ARTISTIC YIDDISH SHEET MUSIC
HONORING IDA & ISADOR STRAUS
1912, NEW YORK CITY, USA
RESERVE: $1800 (estimate $2100-$2400)
This rare 1912 Yiddish sheet music, “The Titanic’s Disaster”, published by the Hebrew Publishing Company in New York, is a poignant artifact that bridges tragedy, Jewish immigrant culture, and the timeless values of love and devotion. Written in the wake of the Titanic disaster, the song mourns the catastrophic loss of 1,500 lives and commemorates the heroic story of Isidor and Ida Straus, who perished together in an act of unwavering love. The cover illustration, created by Jacob Keller, depicts the Strauses embracing as they rise above the sinking ship, crowned by an angel with a laurel wreath—a powerful testament to their devotion. The lyrics, penned by Solomon Small (Smulewitz), a prominent Yiddish lyricist and tenor, evoke the heart-wrenching final moments of the Strauses, who chose to remain together rather than be separated by lifeboat evacuation. The music, composed by Henry A. Russotto, complements the deeply emotional narrative with a melody befitting a tragic folk ballad. There were many Jewish passengers on Titanic’s maiden voyage. Although the true number is now irrecoverable, estimates range from several dozen to well over a hundred. Many were immigrants traveling in steerage (including a female survivor who was probably a distant cousin of this writer), where the White Star line — catering to the lucrative immigrant trade — even offered a kosher kitchen. The Straus family’s story is emblematic of Jewish values. Isidor Straus, a co-owner of Macy’s and a philanthropist, and his wife Ida were pillars of both the Jewish community and broader society, supporting causes that uplifted others. Their final moments on the Titanic reflect the depth of their love and the moral convictions that defined their lives. This piece also highlights the vibrant cultural expression of the Jewish immigrant community in early 20th-century America. At a time when many had only recently crossed the Atlantic themselves, the Titanic tragedy struck a profound chord. Yiddish songs like this one transformed grief into art, ensuring the memory of those lost, especially the Strauses, would endure. The legacy of Isidor’s brother, Nathan Straus, adds another dimension to this story. His decision to remain in Europe to travel to Eretz Yisrael rather than board the Titanic altered his destiny and left an indelible mark on the Land of Israel. Nathan’s generosity helped establish critical health, education, and welfare institutions, and his namesake city, Netanya, stands as a testament to his love for his people and his vision for a thriving Jewish homeland. Owning this sheet music is an opportunity to connect with a multifaceted history that encompasses the resilience of Jewish immigrants, the eternal power of love and sacrifice, and the miracle of Jewish continuity. It is not just an artifact but a reminder of the enduring values of chesed (kindness), tzedakah (charity), and ahavat Yisrael (love for the Jewish People). For the collector, this piece offers a tangible link to the Titanic’s enduring story and the Jewish immigrant experience—a moving homage to the strength and spirit that have carried our people through history. 13.75x10.75in; In Good Condition with minor edge wear from slight water discoloration damage (but isn't that just a fortuitous serendipity considering the topic at hand?)

CELEBRATED JEWISH ARTIST MARC CHAGALL
HISTORIC HAND-SIGNED KNESSET INVITATION
TO THE UNVEILING OF HIS FAMED TAPESTRIES
IN PRESENCE OF PRIME MINISTER GOLDA MEIR
JUNE 18 1969, JERUSALEM, ISRAEL
RESERVE: $3600 (estimate $4000-$4400)
This extraordinary hand-signed invitation, dated June 18, 1969, extends a warm welcome to a momentous ceremony at the Knesset for the unveiling of Marc Chagall’s iconic tapestries, celebrating Jewish heritage through masterful artistry. The event featured the recently elected Prime Minister Golda Meir, and President Zalman Shazar. The invitation reads in Hebrew: "The Speaker of the Knesset invites you to the ceremony of the first presentation unveilings of the wall tapestries based on the paintings of Marc Chagall held at the Knesset in the presence of the Honorable President of the State." Chagall's flourishing signature graces the card, marking it as a unique artifact of cultural significance. The tapestries themselves, completed in the years leading up to this event, are a stunning reflection of Chagall’s deep connection to Jewish themes and narratives. They represent a synthesis of Chagall's artistic vision and the rich history of the Jewish People, illustrating biblical figures and motifs that resonate profoundly with the themes of redemption, homeland, and continuity. The creation of these tapestries was a monumental undertaking, translating Chagall's vibrant canvases into woven masterpieces that now adorn the Chagall State Hall in the Knesset. Chagall's journey to create these works began in 1960, when he proposed to then-Knesset Speaker Kadish Luz to contribute artwork for the new Knesset building. Over the following years, Chagall consulted closely with Luz and other leaders to refine the motifs of the tapestries. The tapestries, rich in symbolism, explore essential elements of Jewish identity, including the covenant with God, the return to the Promised Land, and the ingathering of exiles. They serve as a visual proclamation of the revival of Jewish life in Eretz Yisrael. This invitation is complemented by Chagall's art book titled Tapestries and Mosaics of Marc Chagall at the Knesset, published in 1973. This 124-page hardcover book, printed on heavy white stock and featuring the original dust jacket, encapsulates Chagall’s artistic journey and provides insightful commentary by Ziva Amihai Maisels and a foreword by Israel Yeshaayahu, the Speaker of the Knesset. Chagall’s tapestries have left an indelible mark on Israeli culture and identity, emphasizing the importance of art as a means of expressing shared history and collective memory. The tapestries include major figures such as Moses and King David, and they portray scenes of biblical significance while also reflecting the modern resurgence of Jewish life. Through vibrant colors and powerful imagery, Chagall has woven a narrative that encompasses both ancient and contemporary themes of resilience, faith, and cultural continuity. Owning this hand-signed invitation is not merely possessing a historical document; it is a connection to a profound moment in Israeli culture. It serves as a reminder of Chagall's unparalleled contributions to the Jewish artistic legacy and the enduring power of art in articulating the complex tapestry of Jewish identity. This piece represents the intersection of history, art, and tradition, making it a valuable addition to any collection that honors the narrative of the Jewish People.


ALBERT EINSTEIN AUTOGRAPH
ON HIS PORTRAIT BY ZIONIST
ARTIST HERMANN STRUCK
FEBRUARY 1923, HAIFA, ERETZ YISRAEL
RESERVE: $7200 (estimate $9000-$11,000)
In the newly reborn Jewish Homeland of 1923, two towering figures of intellect and culture met in Haifa: the world’s most famous scientist, Albert Einstein, and the celebrated Zionist artist and master printmaker, Hermann Struck. This exquisite lithograph portrait — hand-signed by both Einstein and Struck — captures not just a likeness, but the deep kinship of two men bound by shared heritage, ideals, and destiny. On fine laid paper, this intimate work bears Einstein’s bold pencil signature and date — “Albert Einstein 1923” — beneath his portrait, while Struck’s own hand signs and numbers the work at lower left, and his monogram anchors the lower right. This matted lithograph, numbered 103, comes from a limited edition of only 150 prints, of which only a scarce few bear Einstein’s autograph, making it a rarity of the highest order. This was Struck’s second attempt to portray Einstein. The first, in 1919, was made just as the confirmation of Einstein’s General Theory of Relativity during a solar eclipse had vaulted him to worldwide fame. Yet Einstein, modest and exacting, found the first portrait lacking. By the time of this second effort in Haifa, Struck had not only refined his vision — he had deepened his personal connection with Einstein. The two men corresponded warmly, and in a 1922 letter, Einstein praised Struck’s artistry while wrestling honestly with its emotional weight: “You have given me the warmest joy with your wonderful gift… I never tire of delving into the distinctive, expressive face of the old man, which you have captured and rendered so wonderfully… perhaps the pressure of modeling has given it this stronger expression — I must reflect on it again.” Hermann Struck (1876–1944) was one of the giants of Jewish art in the early 20th century — a devout Jew in Berlin’s avant-garde circles, a mentor to Chagall, Steinhardt, Ury, and Liebermann, and the author of the seminal 1908 work The Art of Etching. He portrayed not only everyday Jewish life, but also the great figures of his time — Herzl, Freud, Ibsen, Nietzsche, Wilde, and here, Einstein. Struck’s Zionism was not mere sentiment; barred from teaching in Germany because of his faith, he immigrated to Eretz Yisrael in 1922, settling in Haifa, where he remained until his death in 1944. Today, his legacy lives on in the Hermann Struck Museum. To hold this piece is to hold a fragment of Jewish destiny itself — a rare, signed testament to the friendship of two Jewish geniuses, created in the land they both cherished. In its lines, ink, and signatures, one can feel the merging of scientific brilliance and artistic soul, both dedicated to the advancement of the Jewish People and the moral force they have given the world. 10.25 x 7.5in; In Excellent Condition

SALVADOR DALI HAND-SIGNED MASTERPIECE
'OUR HISTORICAL HERITAGE' PORTFOLIO #1
11 UNIQUE WORKS HONORING TORAH LEGACY INCLUDING MOSES, JONAH, JOSEPH & MORE
WITH DALI'S CAST MEDALLION OF KING DAVID
1975, NEW YORK, USA
RESERVE: $12,000 (estimate $14,000-$16,000)

This rare and extraordinary portfolio, Our Historical Heritage, showcases Salvador Dalí’s profound engagement with the legacy of the Jewish People through a series of eleven unique hand-signed and numbered dry point etchings published in 1975. Not only was this portfolio made in a very small series of only 300 for South America, this exceptional treasure is Portfolio #1, adding to its desirability and allure. Each print is not only a testament to Dalí’s iconic surrealist style but also an exploration of biblical figures, themes, and narratives that resonate deeply with the Jewish tradition. This exquisite collection includes depictions of significant figures such as Moses, King David, King Saul, King Solomon, Elijah, Adam & Eve, Noah, Jonah, and Joseph, providing a visual homage to the Torah's vision that have shaped cultural and spiritual heritage for millennia. Created late in Dalí's prolific career, Our Historical Heritage reflects his fascination with the Old Testament and contemporary Jewish history, marking a notable exploration despite his lack of prior personal connection to Judaism or Zionism. The portfolio speaks powerfully to the enduring significance of these stories in the context of modern identity and artistic expression. Each etching is signed by Dalí himself in the lower right corner, offering not only authenticity but also a personal connection to his inspired vision. Published by Leon Amiel—a respected name in fine art publishing—the portfolio highlights Dalí’s mastery of etching techniques, incorporating stencil and pochoir colorization methods. The paper used is Arches, known for its quality and durability, enhancing the vibrancy and detail of each artwork. Each piece is numbered on the lower left, accompanied by the stamp of Leon Amiel, further attesting to its provenance. The portfolio is elegantly contained within a sleeve, adorned with a stunning cast medallion featuring Dalí's original mold design of King David, adding a tangible artistic dimension to the collection. Salvador Dalí is celebrated as one of the foremost figures of Surrealism, a movement that sought to unlock the unconscious through dreamlike imagery and fantastical visions. His innovative approach to art, combining psychoanalysis and surrealism, resulted in timeless pieces that challenge viewers to reflect on the subconscious and reality. Dalí’s work, including the universally recognized The Persistence of Memory, has secured his legacy in major museums and institutions worldwide. Owning this hand-signed portfolio is an unparalleled opportunity to connect with the artistic discourse between Dalí’s surreal imagination and our profound Jewish narratives. This collection is not merely a set of artistic masterpieces, but a celebration of the rich tapestry of Jewish heritage. Each etching serves as a reminder of the enduring power of Jewish tradition and their rightful place in the world of art and culture. By acquiring this portfolio, you connect with a legacy that transcends time, honoring the shared heritage of the Jewish People through the unique lens of one of the 20th century’s most innovative artists. Note that this portfolio recently sold at international auction for almost $14,000 here: https://www.phillips.com/detail/salvador-dali/157910?fromSearch=our%20historical%20heritage&searchPage=1 20.5x26.5in; In Excellent Condition with minor foxing







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THE LEGENDARY SARAH BERNHARDT
ORIGINAL HAND-SIGNED AUTOGRAPH
OF FAMED FRENCH JEWISH ACTRESS
1901, LONDON, UNITED KINGDOM
RESERVE: $700 (estimate $900-$1300)
This original hand-signed autograph of the legendary Sarah Bernhardt, affectionately known as the “Divine Sarah,” is a captivating piece of theatrical history that showcases the indomitable spirit of one of the most illustrious Jewish actresses of her time. Dated 1901, this signed menu from a luncheon held in her honor by the New Vagabond Club at the prestigious Hotel Cecil in London captures a moment when Bernhardt was at the pinnacle of her career, enchanting audiences across Europe and beyond with her extraordinary talent and magnetic presence. On this beautifully preserved menu, Bernhardt’s signature—“Sarah Bernhardt 1901”—is prominently displayed alongside those of other notable attendees, including novelist Anthony Hope Hawkins, celebrated dancer Loïe Fuller, writer Robert Hichens, and theatre critic Clement Scott. The gathering celebrated Bernhardt’s remarkable accomplishments and the impact she had on the world of theater during the Belle Époque, an era marked by her groundbreaking performances and significant cultural developments. Born Henriette Rosine Bernard in 1844 to a Jewish mother in Paris, Bernhardt broke through societal constraints and transformed herself into an emblem of artistic brilliance. With her hauntingly beautiful voice and innovative acting style, she revolutionized the stage, earning acclaim for her iconic portrayals in plays such as Racine’s Phèdre and Dumas's La Dame aux camélias. Not just a remarkable actress, she was also a playwright and sculptor, epitomizing the Renaissance woman of her time. Throughout her expansive career, Bernhardt defied conventions and broke barriers, becoming the first international stage star who toured the globe, leaving an indelible mark on audiences worldwide. The menu itself is a delightful snapshot of the gastronomic pleasures of the time, listing exquisite dishes such as "Filets de Soles Valeska" and "Selle d'Agneau Sévigné," invoking the lavishness of early 20th-century dining. Decorated with a printed illustration of Bernhardt dressed as Napoleon's son in L'Aiglon, the menu reflects her profound ability to embody larger-than-life characters who resonated with the public, thereby reinforcing her status as an international icon. Sarah Bernhardt’s journey was not without adversity, but her resilience and unwavering commitment to her craft inspired countless others. Her proud Jewish identity played a significant role in shaping her artistic perspective and interactions with her audiences, often reflected in the complex characters she portrayed on stage. She once stated, “To be modern in poetry, to represent really oneself and one’s surroundings, the world as it is today, to be modern and yet poetical, is, perhaps, the most difficult, as it is certainly the most interesting, of all artistic achievements.” This profound insight into her artistic philosophy resonates deeply, reminding us of her enduring legacy. Owning this unique signed menu is not only possessing a rare collectible but also connecting with the spirit of perseverance, creativity, and cultural expression that defines Sarah Bernhardt. This piece serves as a tangible reminder of her contributions to theater and the Jewish heritage she proudly represented. By acquiring this autograph, you affirm the richness of artistic legacy and the unyielding strength of the Jewish People, echoing the vibrancy of a time when one woman’s artistry illuminated the world.

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GOLDA MEYERSON (MEIR) HISTORIC DISCOVERY
PREPARATIONS FOR THE UNITED NATIONS VOTE
IN ADVANCE OF CREATING THE JEWISH STATE
HAND-SIGNED LETTER + ORIGINAL PHOTOGRAPH
JUNE 30 1947, JERUSALEM, ERETZ YISRAEL
RESERVE: $5200 (estimate $6000-$7000)
This historic typed letter from Golda Meyerson—later renowned as Golda Meir—provides a rare and vital insight into the political strategies employed during the formative years of the Jewish State. Dated June 30, 1947, from Jerusalem, the letter is addressed to Mr. Eienstadt, Director of the Anglo-Palestine Bank, discussing delicate interactions between Zvi Loker, a future Israeli diplomat, and the United Nations special committee on Palestine. This correspondence captures Meyerson's astute understanding of the challenging political landscape as Jewish leaders prepared for the monumental decisions that would lead to the establishment of Israel. In 1947, Golda Meyerson served as the acting head of the Jewish Agency's Political Department—a position of immense responsibility during a critical moment in Jewish history. The Jewish community faced daunting challenges as they sought to navigate the complexities of British rule while advocating for Jewish rights and self-determination. During this period, Meyerson's leadership and influence were instrumental in coordinating efforts to secure international recognition for a Jewish State amid rising tensions and uncertainty. Her foresight in ensuring important diplomatic relationships weren't jeopardized leading up to the upcoming UN vote on partition demonstrated her commitment to the Jewish People and their aspirations. This letter is particularly poignant as it is signed with her original name, Meyerson, before she adopted the surname Meir, symbolizing her profound transformation into one of Israel's most impactful leaders. Her resolve and dedication to the Zionist cause helped lay the groundwork for the eventual establishment of the state, turning dreams into reality for countless individuals and families seeking refuge and renewal after the ravages of the Holocaust. Accompanying this remarkable letter is an original archival photograph of Golda Meir from 1957, in action serving as Israel’s Foreign Minister during a pivotal session at the United Nations General Assembly. In this photograph, Golda's commanding presence and unwavering determination are evident as she navigated complex diplomatic discussions following the 1956 Suez Crisis. This event underscored her exceptional ability to represent Israel on the global stage, advocating for the nation's security and interests at a time when political pressures were immense. Golda Meir's legacy as a leader is especially significant in the context of female empowerment within the Zionist movement. She emerged as a powerful advocate for women's roles in both the political sphere and the fight for Jewish independence, challenging traditional gender norms and asserting her influence through strategic decision-making and effective diplomacy. Her tenure not only showcased her leadership qualities but also inspired many women in the Jewish community and beyond to take on active roles in shaping their futures. The unwavering commitment and courage exhibited by Meyerson and other women leaders were pivotal in mobilizing resources, supporting immigration efforts, and establishing vital social and political infrastructure within the Yishuv. Her actions became emblematic of the strength and resilience of Jewish women, empowering future generations to continue the fight for equality and breakthrough barriers in various fields. Owning this hand-signed letter and accompanying photograph is more than acquiring a piece of history; it is a testament to the powerful legacy of Golda and her role in the establishment of the State of Israel. This lot serves as a profound reminder of the indelible impact of female leadership within the Zionist movement, illuminating the path for generations of women who strive to make their voices heard and lead with purpose in the quest for justice, equality, and self-determination. 8x10in; Letter In Very Good Condition with fold lines and slight foxing from age


VINTAGE ISRAELI STAR TREK POSTER
HIGHLIGHTING CAPTAIN KIRK & SPOCK
JEWISH ACTORS SHATNER & NIMOY
1969, ISRAEL
RESERVE: $1200 (estimate $1500-$1700)
This rare vintage Israeli Star Trek poster, hailing from the 1960s, is an extraordinary piece of pop culture history that celebrates the enduring legacy of two iconic Jewish actors, William Shatner and Leonard Nimoy. Produced for L'Hiton's World of Cinema magazine, this rare poster captures the dynamic duo of Captain James T. Kirk and Spock, along with Dr. McCoy, encapsulating the adventurous spirit of the beloved sci-fi series that has captivated audiences worldwide. Star Trek has long been influenced by Jewish culture through its leading actors and the philosophical underpinnings of its narratives. Though the franchise features few openly Jewish characters, many of its creators and key contributors, including Shatner and Nimoy, brought their heritage to the forefront of the series. Notably, the famous Vulcan salute, accompanied by the phrase “Live Long and Prosper,” derives from a priestly blessing that Nimoy adapted from his childhood experiences in a Jewish synagogue, intertwining his cultural identity with this iconic gesture. The original series showcased both actors in complex roles that often echoed themes of humanism, morality, and the struggles against tyranny. While Gene Roddenberry, the creator of Star Trek, was not Jewish himself, many of the show's foundational values resonate with Jewish philosophical themes, emphasizing community, the quest for knowledge, and the inherent dignity of all beings. Episodes from the series, such as "The Conscience of the King," have been interpreted as allegories for confronting the horrors of the Holocaust, presenting the moral imperative to remember the past and ensure that history does not repeat itself. The cultural impact of Star Trek during the mid-1960s coincided with worldwide social upheaval, a time when traditional norms were being questioned and redefined. Through its portrayal of diverse intergalactic species united against oppression, Star Trek celebrated ideals of tolerance, understanding, and cooperation—principles that echo deeply within Jewish values and aspirations. In this poster, Shatner and Nimoy embody not just their iconic characters but also the collective hopes and struggles of the Jewish People. Both actors, from Jewish immigrant backgrounds, have made significant contributions to Jewish culture and society. Nimoy engaged in artistic projects that reflected his Jewish roots, while Shatner has been a vocal advocate for Israel-related charities and maintains a strong connection to his Jewish identity. Acquiring this rare poster is not only an opportunity to own a piece of Star Trek memorabilia; it also serves as a celebration of Jewish heritage in popular culture and the profound impact that these two actors have had on the legacy of a series that continues to inspire exploration and dialogue across generations. This Israeli poster stands as a tribute to the dreamers and pioneers, both on-screen and off, who have sought to boldly go toward a future defined by possibility and understanding.

MUSEUM TREASURE 17TH-CENTURY TORAH
PRINTED BY MENASSEH BEN ISRAEL IN VELLUM
STOLEN BY HERMAN GORING, STAMPED FOR HIS PRIVATE FUHRER LIBRARY IN THE HOLOCAUST
1630s, AMSTERDAM, NETHERLANDS
RESERVE: $35,000 (estimate $50,000-$60,000)
An exceptionally rare Torah, Prophets, and Writings (Tanach) printed in Amsterdam by the pioneering rabbi, scholar, and printer Menasseh ben Israel (1604–1657), bound in its original 17th-century vellum animal skin binding. This very copy carries a chilling Holocaust provenance: it was looted from the library of Dr. J. N. Pellieux, a French-Jewish physician in Beaugency, seized by the Nazis during the German occupation of France, and transferred into the private library of Hermann Göring—Reichsmarschall, commander of the Luftwaffe, and Hitler’s designated successor. Göring, notorious for plundering Europe’s artistic and cultural treasures, kept this Bible at his Berghof estate in the Obersalzberg “Führer Compound.” Following the Allied liberation of the area on May 4, 1945, this Bible was recovered by the Deuxième Division Blindée (Free French 2nd Armored Division), whose soldiers added an ink stamp appearing on the frontispiece along with a pasted note stating: “Cette pièce provient des collections personnelles d’Hermann Goering au Berghof, 4-5-1945.” In 2005, the volume resurfaced when a chaplain of the French division who had safeguarded it after the war gifted it to a London Jewish family, marking the Bible’s passage from oppression toward restitution, finally returning it to the community from which it had been so violently taken. In the early decades of the seventeenth century, a prodigious Jewish mind emerged in Amsterdam, a city that had become a rare sanctuary for Jews fleeing persecution across Europe. Born in 1604, Menasseh ben Israel was the scion of converso parents who had escaped the Portuguese Inquisition. From his earliest years, he displayed an extraordinary grasp of languages, science, and religious learning, quickly establishing himself as a scholar of unparalleled erudition. By the age of eighteen, he had assumed rabbinic duties within Amsterdam’s vibrant Portuguese Jewish community and, recognizing the urgent need to preserve and disseminate Jewish learning, founded the city’s first Hebrew printing press in 1626. Through his press, Menasseh ben Israel produced not only sacred texts but also works on theology, mysticism, and science, all designed to strengthen Jewish identity and bridge understanding between Jews and the wider European intellectual world. Among his notable friends was the celebrated painter Rembrandt, who would immortalize Menasseh’s visage and even contribute illustrations to some of his works. Between 1631 and 1635, Menasseh ben Israel printed the Torah, Nevi’im, and Ketuvim that comprise the volume now before us. Bound in contemporary vellum, this Bible is not merely a book; it is a testament to Jewish resilience and cultural revival. Each page carries the weight of centuries of diaspora experience, reflecting both the intellectual flowering of Amsterdam’s Jewish community and the deep longing for redemption and restoration that would later inspire modern Zionist thought. Menasseh’s vision extended beyond Amsterdam; in 1644, he would famously travel to London to petition Oliver Cromwell to allow the resettlement of Jews in England, a mission documented in his work Mikve Israel. Though the legal recognition he sought was delayed for years, his efforts laid the foundation for Jewish return and communal restoration in Western Europe. The journey of this particular copy mirrors the tumultuous course of Jewish history itself. For centuries, it was cherished as both a sacred text and a symbol of heritage. But in the dark years of the Second World War, it was seized by the Nazis, becoming part of the vast art and cultural plunder orchestrated by Göring, one of the most infamous figures of the Third Reich. Göring, who maintained a private library within his Berghof estate in the Bavarian Alps, coveted treasures of European art and literature, including those of Jewish origin. This Bible, stolen from a Jewish home, sat among stolen masterpieces such as Rembrandts and Vermeers in a compound that had been reserved for Hitler’s closest associates, an emblem of the regime’s arrogance and the desecration of Jewish culture. The physical characteristics of this Bible are remarkable. It is a complete Tanach, bound in four parts in one volume, printed on thick, high-quality paper, with separate title pages for Torah, Prophets, and Writings. Though nearly 400 years old, it retains much of its original integrity: the vellum binding shows only minor wear, and the pages are annotated with Hebrew and Latin inscriptions from centuries past, reflecting a long life of study and devotion. It bears silent witness to the scholarly dedication of Menasseh ben Israel, the devotion of European Jewish households, and the horrors and triumphs of the twentieth century. This volume encapsulates profound symbolism. It is the product of a Jewish community newly freed from persecution in Amsterdam, a tangible expression of Menasseh ben Israel’s vision for the Jewish People; it is a sacred object plundered by one of history’s most infamous perpetrators of genocide; and it is a survivor, liberated and restored to Jewish hands, carrying with it the echoes of both loss and redemption. To hold it is to hold nearly four centuries of Jewish history, from the diaspora’s intellectual flowering through the horrors of the Holocaust, and into the modern reclamation of heritage and faith. As an artifact, it transcends its physicality. It is a testament to resilience, scholarship, and the enduring spirit of the Jewish People. It is rare in every sense: rare for its age, rare for its provenance, rare for the intertwining of its sacred, cultural, and historical significance. This Bible is not merely a printed work; it is a narrative of survival, a vessel of memory, and a monument to the unbroken thread of Jewish life across the centuries. Its journey from Menasseh ben Israel’s press to the hands of a modern-day custodian of history makes it a singular treasure, one that commands both reverence and awe. Very few Judaica artifacts combine such antiquity, bibliographic rarity, Holocaust provenance, and emotional weight. It is a treasure fit for a national museum, a Holocaust memorial institution, or a private collector who understands that to acquire it is to become the next guardian in a chain of history stretching from Europe's Jewish revival to the defeat of Nazism. A once-in-a-generation opportunity to secure one of the most important Jewish books ever offered at charity auction. 8.85x7in; 369 Leaves, Four parts in one bound volume; In Very Good Condition with some wear and aging from 400 years of use, plus its embattled adventures throughout war torn Europe.



JEWISH SPORTS LEGEND, PITCHER SANDY KOUFAX
HAND-SIGNED AUTOGRAPH CARD OF HIS PLAQUE
FROM THE NATIONAL BASEBALL HALL OF FAME
1972, COOPERSTOWN, NEW YORK, USA
RESERVE: $600 (estimate $800-$1000)
This historic hand-signed autograph card features the celebrated Jewish sports legend, Sandy Koufax, recognized as one of baseball’s greatest pitchers and symbols of Jewish pride. The card, showcasing Koufax's plaque from the prestigious National Baseball Hall of Fame, highlights his exceptional legacy both on and off the field. Inducted in 1972, Koufax became one of the youngest pitchers ever elected to the Hall of Fame, a striking achievement that only added to his iconic status. Sandy Koufax’s journey transcended baseball, particularly marked by his decision to sit out Game 1 of the 1965 World Series, which coincided with Yom Kippur, the holiest day in the Jewish calendar. This pivotal moment of integrity resonated deeply within the Jewish community, as Koufax prioritized his religious observance over a potential career-defining game, solidifying his role as a hero and an inspiration for Jewish identity. His statement, "A man is entitled to his belief, and I believe I should not work on Yom Kippur," became emblematic of a struggle to honor tradition while navigating the world of sport. Koufax’s cultural impact was profound, breaking stereotypes about Jewish masculinity at a time when Jewish athletes were often depicted as weak or unathletic. His success and strength on the mound offered a much-needed counter-narrative to these misconceptions, allowing Jewish men to embrace a renewed sense of pride in their identity. Koufax redefined the perception of what it meant to be a Jewish athlete, demonstrating that one could achieve greatness while staying true to one’s roots. The influence of Koufax extends beyond his athletic prowess, as he became involved with charitable causes and Jewish organizations, proudly representing the Jewish community throughout his life. His presence at events celebrating Jewish heritage, like the 2010 ceremony at the White House for Jewish American Heritage Month, reinforces the immense esteem in which Koufax is held. 3.5x5.5in; In Excellent Condition

CONDUCTOR LEONARD BERNSTEIN, CONCERT #1
ISRAEL PHILHARMONIC ORCHESTRA PROGRAM
1953, TEL AVIV, ISRAEL
RESERVE: $600 (estimate $800-$1000)
This remarkable program printed in both English & Hebrew, features the legendary conductor and composer Leonard Bernstein. It is a historic artifact commemorating his first 1953 season performance as both composer and piano soloist with the Israel Philharmonic Orchestra in Tel Aviv. This program features seminal works including Mozart’s Concerto in G Major for Piano and Orchestra, Prokofiev’s Symphony No. 5 Op. 100, and Diamond’s Rounds for String Orchestra, reflecting Bernstein’s deep commitment to classical music and his unparalleled ability to engage audiences with his dynamic performances. Leonard Bernstein, celebrated as one of the most important Jewish musicians of the 20th century, played a pivotal role in bridging cultures through the power of music. His connection to Israel began in 1947 with a conducting debut for the Palestine Symphony Orchestra and continued throughout his life, culminating in performances that resonated with themes of hope and renewal following the trauma of the Holocaust. Bernstein’s music became a source of inspiration and solidarity, especially during Israel's formative years, as he actively engaged with the cultural landscape of the newly established state. One of the most significant moments of Bernstein's journey in Israel came during the 1948 War of Independence when he conducted a concert for Israeli troops in Beersheba. Known for his strong sense of duty and commitment, he traveled under perilous conditions, using his platform to uplift and inspire those serving in the military while fostering unity through music. Audiences were captivated by his passionate interpretations and charisma, elevating the cultural consciousness of the Jewish People and all who witnessed his performances. The program also serves as a testament to Bernstein’s philosophy of making classical music accessible to all. His innovative outreach, including youth concerts and classes, exemplified his belief that music had the power to transcend barriers, bringing people together through shared experiences of joy and struggle. Throughout his career, Bernstein’s dual identity as both a prominent American Jew and a global cultural icon helped redefine what it meant to be a musician in a politically charged environment. This particular program is a tangible connection to a time when Bernstein brought hope, resilience, and artistic brilliance to the forefront of the Zionist narrative. His music became a powerful symbol of survival and ambition for a people reclaiming their heritage and future. By securing this concert program, one honors Bernstein’s legacy—a legacy that extends beyond music, inspiring generations to embrace their identity and engage with the world through art and creativity. Owning this piece is not just about collecting memorabilia; it is about affirming the cultural significance of Leonard Bernstein’s contributions to Jewish history and the ongoing journey toward peace and understanding through the shared language of music. 6x9.25in; In Excellent Condition

BEN-GURION HONORING IDF SOLDIERS
YOM HAZIKARON & YOM HA'ATZMAUT
HISTORIC ARCHIVAL PHOTO & SIGNATURE
1957 & 1958, ISRAEL
RESERVE: $650 (estimate $750-$850)
All Israelis understand the seemingly unbelievable and immediate passage between sorrow and celebration, as portrayed in the pairing of Yom HaZikaron (Israel's Memorial Day) and Yom HaAtzmaut (Israel's Independence Day). The idea behind this is that the day before celebrating our independence, we are reminded of the price and sacrifice made by so many in order to keep us free. If you've never been in Israel during those two days, nothing can possibly explain the experience and the kind of emotions that it evokes. After a full day of grief and remembrance, something that is very much relevant from a personal standpoint to literally every Israeli, we go rather abruptly to a truly joyous celebration of our freedom and achievements during Israel's Independence Day. Prime Minister David Ben-Gurion signed this Yom HaZikaron commemoration beautifully printed large format envelope by the Ministry of Defense in honor of the fallen IDF soldiers from the 1956 Sinai Campaign against Egypt. Yom HaZikaron is the Israeli day of national remembrance to commemorate all the soldiers and citizens who lost their lives during the struggle to defend the State of Israel. Yom HaZikaron, which follows the Jewish calendar cycle, begins with a siren at 8pm in the evening. As soon as the siren is heard, Israelis stop whatever they are doing, wherever they are, and stand firm to honor those they have lost. People driving on highways even stop their cars in the middle of the road to get out and stand in solemn remembrance. An entire office will stop working and a family having dinner together will stop eating in order to spend a minute in respectful silence. This iconic original photograph is of Yom HaAtzmaut on April 25 1958, on Israel's 10th Birthday, with Prime Minister Ben-Gurion in Jerusalem addressing a jubilant crowd of IDF soldiers. These historic artifacts would make for an incredible framed pairing. Photo 6 x 8in, Signature 6.5 x 9.5in; In Excellent Condition



FIRST ISRAELI ASTRONAUT ILAN RAMON
NASA SPACE SHUTTLE WOOD MODEL
WITH MEMORIAL POEM PLAQUE
EARLY 21ST CENTURY, ISRAEL
RESERVE: $1500 (estimate $2200-$2400)
This poignant and evocative piece honors one of Israel’s greatest modern heroes — Colonel Ilan Ramon (1954–2003), Israel Air Force fighter pilot, Operation Opera veteran, and the first Israeli astronaut. A finely crafted wooden model of the NASA Space Shuttle is mounted with a brass plaque inscribed in Hebrew with a touching commemorative poem to Ramon, capturing the national grief and enduring pride felt at his loss. Born Ilan Wolferman in Ramat Gan to a family deeply marked by the Holocaust — his mother and grandmother were Auschwitz survivors, and his father’s family fled Nazi Germany in 1935 — Ramon embodied the resilience and achievement of the reborn Jewish state. From humble beginnings in Be’er Sheva, he rose through the ranks of the Israeli Air Force, eventually flying A-4 Skyhawks, Mirage IIICs, F-4 Phantoms, and F-16s. In 1981, as the youngest pilot on the mission, he participated in Operation Opera, the daring Israeli strike that destroyed Iraq’s Osiraq nuclear reactor, eliminating a potential existential threat to the Jewish people. In 1997, Ramon was selected by NASA as a payload specialist. For six years, he trained in Houston, preparing for the STS-107 mission aboard Columbia. During that mission in January 2003, he worked tirelessly alongside his international crew to conduct 80 experiments, while also carrying deeply symbolic items into space — a tiny Torah rescued from Bergen-Belsen, a drawing by a child murdered in Auschwitz, and a barbed-wire mezuzah, transforming the flight into a spiritual as well as scientific journey. “I feel I am representing all Jews and all Israelis,” he said before launch. Tragically, Columbia was lost during re-entry on February 1, 2003, just 16 minutes before landing. Ramon was posthumously awarded the United States Congressional Space Medal of Honor — the only non-American ever to receive it — as well as the NASA Space Flight Medal and the Distinguished Public Service Medal. The heartfelt poem engraved on the plaque speaks directly to the loss and the love of a nation: a mixture of pride, grief, and the unbroken Israeli spirit. Together, the shuttle model and inscription form not only a memorial, but also an inspiration — a reminder to reach for the stars without losing sight of the values and history we carry with us. A rare and meaningful artifact linking Israel’s pioneering spirit in both the skies and in space, and an enduring tribute to the man who carried the Jewish people’s story beyond Earth’s horizon. 12 x 5.5in; In Good Condition

HISTORIC ORIGINAL PHOTOGRAPH
PRIME MINISTER MENACHEM BEGIN
MEETS THE LUBAVITCHER REBBE
WITH ARTIST'S STUDIO STAMP
JULY 17 1977, NEW YORK, USA
RESERVE: $2770 (estimate $3770-$4770)
This rare and deeply evocative photograph captures a moment of profound historical and spiritual significance: the private meeting between Israeli Prime Minister Menachem Begin and the Lubavitcher Rebbe, Rabbi Menachem Mendel Schneerson, on the evening of the 2nd of Av, 5737 (July 17, 1977), at Lubavitch World Headquarters, 770 Eastern Parkway in Brooklyn, New York. Just weeks earlier, Begin had stunned the political world by leading the Likud Party to a dramatic electoral victory, ending nearly three decades of Labor Party dominance in Israel. As he prepared for his first official meeting with U.S. President Jimmy Carter in Washington, D.C.—a meeting that would shape the future of U.S.-Israel relations and the Middle East peace process—Begin made a conscious and symbolic decision to first stop in Brooklyn, to seek the counsel and blessing of the Rebbe. Their meeting, held just before midnight, would last over two hours. The Rebbe greeted Begin personally at the entrance to 770—an extraordinary gesture, as the Rebbe almost never left his private study to receive guests. Before the press, Begin explained the purpose of his visit: “I have come tonight to our great master and teacher, the Rabbi, to ask from him his blessings before I go to Washington to meet President Carter for the important talks we are going to hold on the future of the Middle East.” He added, “The people of Israel pray for the success of these very important meetings... Rabbi Schneerson is a great man in Israel. All of us respect him; all of us accept his judgment... His blessings are very important to me.” The Rebbe, speaking in Yiddish, then in English for the American press, responded: “I accept this honor of his visit not on my personal account, but on the account of the movement of Lubavitch… to permeate Jewish people everywhere with full faith in God Almighty, and the faith that they’ll have their wishes for good fulfilled… and to have real peace as a preparation for the coming of Messiah speedily in our times.” When asked whether he would bless Begin’s mission, the Rebbe replied simply, “Yes. More than a hundred percent.” After their statements, the Rebbe and the Prime Minister entered the Rebbe’s private study for a confidential discussion. While the details of the conversation were never publicly disclosed, Begin would later describe it as a “deep and uplifting encounter” that strengthened his resolve. One aide recalled that Begin emerged “a changed man,” visibly fortified for the trials ahead. In Begin’s own later remarks, he hinted at the Rebbe’s message: “The enemy wants that we should give them parts of the land of Israel so that they can attack us; however, our security relies on upholding our right to the land of Israel.” Begin stood firm during his summit with President Carter. Despite enormous international pressure to halt Jewish settlement in Judea and Samaria and accept Palestinian demands, Begin refused. He argued: “Why is it permitted for a Jew to settle and live in Bethel or Shiloh in the United States… but forbidden [for him] to build his home in the original Shiloh or Beth El?” He made it clear: “I shall not lend my hand to discrimination against Jews in the Land of Israel.” The impact of this meeting between Begin and the Rebbe reverberated beyond diplomacy. It was a moment when Jewish spiritual leadership and Jewish political sovereignty stood together, unapologetically and proudly. In the face of global scrutiny, the Rebbe gave Begin not only his blessing but his moral support, empowering him to lead with Jewish conviction and courage. This photograph taken by Jewish-American photographer Isaac Berez (with his studio stamp on the reverse) is far more than a record of a political meeting—it is a sacred image of two Jewish giants, united in vision and faith, standing at the threshold of history. It reflects the convergence of Torah and statehood, tradition and modernity, and the eternal Jewish mission to stand strong, rooted in righteousness, in defense of the Land and People of Israel. 8x10in; In Excellent Condition

'FUNNY THING HAPPENED...ON THE WAY TO TEL AVIV'
SATIRICAL MAGAZINE BY CAPTAIN AMERICA CREATOR
JOE SIMON, MARVEL & DC GOLDEN AGE COMICS ICON
1967, NEW YORK, USA
RESERVE: $650 (estimate $950-$1100)
In the vibrant crucible of mid-20th Century America, a generation of Jewish immigrants and their children forged not only a new identity but a powerful cultural force that would resonate across the globe. Among these pioneers was Joe Simon, a proud Jewish American whose creative genius helped launch the Golden Age of Comics and whose work became a beacon of hope and strength for Jews everywhere. This extraordinary satirical magazine, “A Funny Thing Happened on the Way to Tel Aviv - A Mad History of the Arab-Israeli Campaign”, captures a critical moment in Jewish history — the miraculous victory of the young State of Israel in the 1967 Six-Day War — through the sharp lens of American Jewish satire and artistic brilliance. Joe Simon was born Hymie Simon into a humble Jewish immigrant family in Rochester, New York, where the dreams of the old world met the promise of the new. Deeply connected to his Jewish roots and the Zionist cause, Simon’s art was never just entertainment; it was a declaration of identity and resilience. Together with his legendary partner Jack Kirby, Simon co-created Captain America — a superhero unlike any before, who boldly punched Hitler on his very first cover, long before the world fully recognized the threat of Nazi tyranny. Captain America was a reflection of the Jewish-American spirit: courageous, defiant, and committed to justice. At the same time, across the ocean, the State of Israel was emerging from the ashes of exile, its people reclaiming their ancient homeland with determination and faith. In 1967, facing overwhelming odds and surrounded by hostile armies, Israel’s victory in the Six-Day War was nothing short of a modern-day miracle — a testament to the enduring Zionist vision of Jewish sovereignty, security, and renewal. “A Funny Thing Happened on the Way to Tel Aviv” channels this historic triumph through the eyes of American Jewish artists and writers, offering satire and insight that speak to the shared pride and passion of the American Zionist community. This comic magazine is more than a collection of historic photos with silly blurbs, satirical cartoons and biting commentary; it is a cultural bridge that connects the Jewish American experience — shaped by the Golden Age of Comics and the fight against antisemitism — to the heroic reality of Israel’s defense and survival. It celebrates the power of storytelling in all its forms: from the comic book pages that inspired millions to stand against evil, to the real-life battlefield where Israeli soldiers embodied the very ideals of courage and resilience. By owning this rare piece of history, you claim a tangible symbol of Jewish pride and Zionist triumph, a legacy born from the dreams of immigrants and warriors alike. It is an honor to hold in your hands the creative spirit of Joe Simon — a man whose art gave birth to heroes who fought for justice on paper, and whose people fought for their Homeland with the same unyielding spirit. This magazine is a celebration of the courage, creativity, and indomitable spirit that have defined the Jewish People from the streets of New York to the hills of Jerusalem. 10.75 x 8in; 66 Pages, In Excellent Condition


ZE'EV JABOTINSKY AUTOGRAPH
& DEDICATION ON HIS PORTRAIT
TO FAMED ZIONIST JOURNALIST
JUNE 29 1927, VIENNA, AUSTRIA
RESERVE: $5600 (estimate $6000-$7000)
In June of 1927, in Vienna, one of the most iconic figures in Zionist history, Ze’ev Jabotinsky, took pen to his portrait and inscribed a note of deep affection and camaraderie to a fellow fighter for the Jewish future. In his bold hand, he wrote: “To Tenenblatt, my love, Z. Jabotinsky.” More than a century later, this singular piece—both image and message—offers a glimpse into a historic alliance between two titans of Jewish journalism and political vision. The recipient, Mordechai Anshel Tenenblatt, was no ordinary correspondent. A brilliant linguist, educator, and fierce advocate for Jewish rights, Tenenblatt was a founding force in modern Jewish journalism. From his early days in Galicia and Vienna to his leadership role in the Jewish Telegraphic Agency and later his work in Eretz Yisrael, Tenenblatt was a man who chronicled and shaped the story of modern Zionism. He paid a personal price for his convictions: imprisoned by both Polish and Austrian authorities for exposing antisemitic pogroms and political persecution, his pen proved as powerful as any weapon. This signed portrait print by Zionist artist Wilhelm Wachtel, is more than an artifact—it is a convergence of two mighty Jewish voices. Jabotinsky, the founder of the Revisionist Zionist movement and ideological father of Betar and ultimately the modern Israeli right, recognized in Tenenblatt a kindred spirit: independent, unyielding, and deeply committed to the Jewish cause. Hatzohar, Jabotinsky’s movement, had been born just two years prior, demanding a more assertive Zionist stance in the face of British obstructionism and Weizmann’s conciliatory leadership. In Tenenblatt, Jabotinsky found an ally who not only reported the facts but fought for truth—who used journalism to awaken and unify a fractured Jewish People. On the reverse of the card is a love letter, apparently penned by Tenenblatt to his wife in the exuberance of that evening: “Long live me, my beloved! After the ball, during a feast and joy, my heart is with you... noise and din and bustle, which cannot be written. Kissing you with heartfelt love.” In the margins, another hand adds greetings and a promise to visit—a reminder that even in the heat of revolutionary ideals, human tenderness endured. This single object is a time capsule: the ink of Jabotinsky’s pen; the emotion of a journalist whose heart was split between the ballroom of Vienna and the arms of his wife; the heady optimism of a generation that believed—against all odds—in Jewish sovereignty. Jabotinsky, with his prophetic clarity, knew that Jewish destiny could not rely on permission from the nations of the world. It required self-determination, a Jewish army, and a homeland reclaimed. Tenenblatt, through the might of his words and the reach of his networks, helped spread that vision to Jews across Europe and beyond. The fates of these men, and of the movement they helped shape, echo into today’s Israel. The State was ultimately forged through the vision, grit, and moral clarity of those who, like Jabotinsky and Tenenblatt, refused to surrender to appeasement or despair. Their message—to be bold, to unite, and to build—still calls out to us. This portrait, inscribed in love and comradeship, should not be seen merely as a collector’s item. It is a living reminder of the intellectual, spiritual, and political energy that helped give birth to modern Israel. It is a testament to the power of friendships forged in struggle, of ideals pursued with unswerving conviction. In a time when Jewish identity, unity, and sovereignty are once again being tested on the world stage, this piece challenges us not only to remember our past—but to rise to the demands of our future. 5.5x3.75in; In Excellent Condition

GENERAL MOSHE DAYAN
'SINAI CAMPAIGN DIARY' SIGNED
NOVEMBER 11 1956, ISRAEL
RESERVE: $550 (estimate $650-$750)
This extraordinary volume, Sinai Campaign Diary, is not only a firsthand account of one of the defining moments in Israeli military history but also a rare signed piece of personal testimony by General Moshe Dayan, one of the most iconic figures of the State of Israel. Dated November 11, 1956, this beautifully designed hardcover book encompasses Dayan’s experiences and strategic insights during the Sinai Campaign, which began with Egyptian forces amassing along the border in the lead-up to the Suez Crisis. On October 30, 1956, Israeli paratroopers executed a bold and decisive invasion of the Sinai Peninsula, marking a significant turning point in the region's history. As the mastermind behind the operation, General Dayan, who had previously commanded the Jerusalem front during the 1948 Arab-Israeli War and later served as Chief of Staff of the Israel Defense Forces, offers a deep and nuanced examination of the military and political events leading to the campaign. His narrative provides an intimate glimpse into the challenges faced by Israeli soldiers on the ground, as well as the strategic considerations that guided their actions in this critical moment. General Moshe Dayan’s striking presence, marked by his iconic eye patch, made him a symbol of Israeli resilience and determination in both domestic and international arenas. His roles as Defense Minister during the Six-Day War and as a key figure in shaping Israel’s defense policies solidified his legacy as a pioneer in the national military narrative. In this 215-page Hebrew edition, readers are treated to not only a recounting of tactical maneuvers but also the emotional landscape of leaders and soldiers whose courage and resolve were tested amid the pressures of war. This particular copy is inscribed, dated, and personally signed by Dayan, adding a significant layer of authenticity and value to the piece. The handwritten inscription serves as a reminder of the personal sacrifices made by those who stood at the front lines of history, providing a direct connection between the reader and the pivotal moments that shaped the modern State of Israel. Owning this signed diary is more than acquiring a historical artifact; it is an opportunity to appreciate the depth of experience and leadership that characterized Moshe Dayan’s contributions to Israeli military history. It becomes a vital part of understanding not only the dynamics of the Sinai Campaign but also the unyielding spirit of the Jewish People in their quest for sovereignty and security in our ancestral Homeland.



SIGMUND FREUD & ALBERT EINSTEIN
'WHY WAR' RARE FIRST EDITION
BY TWO GREAT JEWISH INTELLECTUALS
1933, PARIS, FRANCE
RESERVE: $700 (estimate $1100-$1300)
This rare first edition of 'Warum Krieg?' (Why War?), published in 1933 in Paris by the International Institute for Intellectual Cooperation, stands as a significant intellectual testament to the profound insights of two of the greatest Jewish minds of the 20th century: Albert Einstein and Sigmund Freud. One of only 2,000 numbered copies, this work #1116, captures an extraordinary dialogue between the renowned physicist and the father of psychoanalysis as they grapple with the pressing issues of their time—the causes of war and the prospects for peace amid rising global tensions. In the early 1930s, as Europe teetered on the brink of chaos, Albert Einstein was invited by the League of Nations to address an individual on any subject of concern. Troubled by the rise of fanatic nationalism and the looming specter of global conflict, he chose to reach out to his fellow Austrian compatriot, Sigmund Freud. In a poignant letter, Einstein inquired, “Is there any way of delivering mankind from the menace of war?” This inquiry was not just a theoretical consideration; it was a haunting question reflecting the anxiety of an era marked by socio-political upheaval. Freud's response revealed his astute understanding of human nature and the complexities of the psyche. While he agreed with Einstein on the necessity for an independent judicial body to help mediate conflicts, he remained skeptical about humanity's capacity for peace. Freud argued that the aggressive tendencies ingrained in the unconscious mind could not easily be subdued, suggesting that war might be an unfortunate but inherent expression of human conflict. His insights into the dark recesses of the human psyche serve as a profound commentary on the perpetual struggle between civilization and our primal instincts. This exchange occurred during a historical crossroads, when Adolf Hitler ascended to power in Germany, spreading his message of nationalistic fervor and hate. As Einstein and Freud contemplated philosophical paths toward peace, the world around them became increasingly hostile. The dialogue captured within these pages would tragically not be embraced in Hitler's Germany, as both Einstein's and Freud's works were condemned and publicly burned, a stark reminder of the perilous times that lay ahead. Despite the grim context of their discourse, Why War? remains a vital exploration of the relationship between human psychology and societal conflict, highlighting the urgent need for understanding in an era fraught with division. The text has been translated into multiple languages, transcending its original context to impact readers and thinkers around the world. Owning this original edition is not simply possessing a unique literary artifact; it is an opportunity to engage with the thoughts of two brilliant minds who sought to find meaning and hope in a world that seemed to spiral toward despair. This work invites reflection on the enduring challenges of conflict and the vital importance of dialogue, understanding, and peace in the pursuit of a better future for humanity. Collectively, it serves as a poignant reminder of the responsibilities every generation holds to resist the forces of division and fanaticism, advocating instead for dialogue, respect, and cooperation.

EARLY HAND-CRAFTED FLAG
STATE OF ISRAEL
MID-20TH CENTURY, ISRAEL
RESERVE: $360 (estimate $600-$800)
We love seeing these retired old flags honored in style when framed prominently on the wall. Nothing compares to the pride one feels when knowing that the star and stripes of Israel’s blue and white flag had a long life fluttering in the breeze. Few symbols carry as much weight and meaning as the iconic blue and white flag of the State of Israel. More than a national emblem, it represents the enduring unity of the Jewish People, our faith, and our mission as a light unto the nations. This hand-crafted linen flag, sewn during the earliest days of Israel’s modern statehood, is a poignant tribute to the sacrifices and triumphs of the Zionist pioneers who transformed an ancient dream into a living reality. With its simple yet profound design, the Star of David flanked by two blue stripes symbolizing the traditional tallit, Israel’s flag has become a powerful representation of the Jewish journey. It embodies the painful past, resilient present, and hopeful future of the Jewish People, uniting those at home and abroad in shared heritage and purpose. This flag, lovingly sewn by hand, likely waved proudly in the years surrounding Israel’s founding, a time when the sacrifices of Israel’s founding Zionists forged the path to independence. It stood as a beacon of hope for generations, weathering the winds of a newly established homeland and symbolizing the collective resolve of a people who overcame insurmountable odds to achieve self-determination. Whether displayed prominently in a home, office, or institution, this historic flag serves as both a striking artifact and an enduring reminder of the ideals upon which the State of Israel was founded. This extraordinary piece invites us to honor the legacy of Israel’s creation and celebrate the unity and perseverance that continue to define the Jewish People. A timeless addition to any collection of Zionist history or Judaica, it stands as a testament to the enduring spirit of a nation and its People. 41 x 28.5in; In Good Condition with minor wear



