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UNITED HATZALAH
SAVING LIVES ACROSS ISRAEL
ROSH HASHANA CHARITY AUCTION
ENDS SEPTEMBER 30TH
Bid today with your Tzedaka as we enter the High Holiday season

Please bid generously on these treasures connected to the history of Israel & the Jewish People all sourced by the curators at Curio Auctions. Use your charitable giving to acquire authentic heirlooms that will inspire your family’s relationship with tzedaka for generations to come, while supporting United Hatzalah's ability to respond to any medical emergency, fast!

VAAD HATZALAH BOUND TORAH
GIFT TO HOLOCAUST SURVIVORS
DEDICATION BY PRESIDENT TRUMAN
OF 'REBUILDING OF THE JEWISH SOUL'
1947, MUNICH, GERMANY

RESERVE: $3600 (estimate $4500-$5500)

In the shadow of unspeakable devastation, when the Jewish People emerged from the furnaces of Europe, shattered yet unbroken, there arose a holy mission: not only to rescue Jewish lives, but to rebuild both the body of the Jewish People and invigorate Jewish spirit. This extraordinary bound Torah, printed in Munich in 1947 and distributed by the Vaad Hatzalah to survivors of the Holocaust in the Displaced Persons (DP) camps, is one of the most moving artifacts of that sacred mission. Within its pages—containing the Five Books of Moses, along with the Scrolls of Ruth, Lamentations, and Ecclesiastes, complete with the traditional commentaries of Rashi and Onkelos—lies not just sacred text, but a declaration of Jewish eternity. The volume bears on its title page the words: “A gift from the Rescue Committee to the She’erit HaPleita.” These were not empty words. To the survivors—the “She’erit HaPleita,” the surviving remnant—receiving a bound Torah was not merely receiving a book, but a reaffirmation that despite Hitler’s attempt to eradicate both body and soul, Torah learning and Jewish destiny would continue. The Torah was placed directly into the hands of men and women still wrapped in bandages of suffering, still displaced in foreign lands, yet now tasked with rebuilding their lives. What makes this copy even more exceptional is the presence of the remarkable dedication by President Harry S. Truman, in both Hebrew and English. The opening page offers a blessing to the survivors from the President of the United States himself, honoring their survival and affirming America’s role in the rebuilding of the Jewish People. In it, Truman wrote: “It was this great task that Vaad Hatzalah has undertaken, the rebuilding and revitalization of the Jewish spirit and soul. In our program of bringing to life again the great storehouses of Jewish books of knowledge and learning… we wish to dedicate the Holy Bible, the very ancient well of living waters, to His Honor, the President of the United States of America.” The Holocaust Survivors themselves responded in gratitude, declaring Truman a defender of Jewish rights and a beacon of hope in one of history’s darkest hours. This small book thus serves as a unique confluence of Jewish resilience and American moral leadership—a bridge between a broken European exile and the rising promise of new life in both America and the soon-to-be reborn State of Israel. The Vaad Hatzalah, established in 1939 by the Union of Orthodox Rabbis of the United States and Canada, was among the very first Jewish organizations to recognize the magnitude of the Nazi threat and mobilize to rescue European Jewry. Throughout the war they smuggled funds into ghettos and to yeshivot in Lithuania, Shanghai, and Central Asia, and lobbied the United States government tirelessly. Famously, they organized the unprecedented march of 400 rabbis to the White House in 1943, demanding American action. After the war, their work did not end with survival. They poured their resources into spiritual rehabilitation—printing seforim, Torahs, siddurim, and works of halacha to breathe life back into the Jewish soul. This Torah volume is one such immortal witness to their vision. The Vaad Hatzalah then, much like today's United Hatzalah, embodies the ideal of "All of Israel is responsible for one another,"(Kol Yisrael Arevim Zeh Bazeh). This is a foundational principle in Jewish thought and law, stating that every Jew is a guarantor and has a responsibility for the actions and well-being of every other Jew. Originating in the Talmud, this concept emphasizes communal responsibility, mutual support, and the interconnectedness of the Jewish People, with the idea that one person's transgressions can implicate the entire community. Its very physical presence—the embossed binding, the lithographic cover, the heartfelt dedications—is a testament that Judaism itself was not buried in Auschwitz, Treblinka, or Bergen-Belsen. That Torah, the eternal flame of the Jewish People, was re-lit in the DP camps, held in the trembling yet determined hands of survivors who would go on to rebuild vibrant Jewish lives in America, in Israel, and across the globe. To hold this book today is to hold the living heartbeat of Jewish history: a bridge from destruction to rebirth, from exile to redemption. It is a sacred Holocaust Survivor’s Torah, a gift that once gave courage and dignity to those who had lost everything, and which now invites its new guardian to continue its mission of memory, Jewish pride, and the eternal rebuilding of Am Yisrael. 7x5.25in; 200 Pages, In Good Condition with minor spine wear

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HATZALAH TORAH: PLACE A BID

THE JAFFA ORANGE SYNDICATE
AROMA BRAND ADVERTISING POSTER
BY ZIONIST ARTIST FRANZ KRAUSZ
(IN HATZALAH ORANGE)

1930s, TEL AVIV, ERETZ YISRAEL

RESERVE: $1800 (estimate $2600-$3000)

Few symbols of the Land of Israel are as iconic as the Jaffa orange (and of course the Hatzalah orange), the golden fruit that became the pride of Jewish agriculture in the pre-state Yishuv and a worldwide emblem of Zionist success. This rare 1930s lithographic advertising poster, produced by The Jaffa Orange Syndicate Ltd. of Tel Aviv for distribution in the United Kingdom through Aroma Company Distributors, proudly markets the famed “Jaffa” brand oranges. The text, in English, was aimed directly at the British market, where the seedless, sun-drenched Jaffa orange had already become a household name. The poster was designed by Franz Krausz (1905–1998), the Austrian-born graphic artist who immigrated to Eretz Yisrael in 1934 and soon became the leading commercial designer of the Yishuv. Krausz’s distinct modernist style, influenced by Bauhaus and European poster art, helped shape the visual identity of pre-state Zionism. His posters for El Al Airlines, Carmel Wines, and Jaffa Oranges combined striking imagery with a spirit of optimism and modernity, giving visual form to the Zionist dream. His studio, “Krausz / Jacobsohn”, set the standard for advertising design in the Yishuv of the 1930s–40s. By the mid-1930s, citrus cultivation was the single largest export of Mandate Palestine, employing thousands of Jewish pioneers and fueling the economic engine of the Yishuv. The Jaffa Orange Syndicate, a cooperative of Jewish growers, distributors, and exporters, coordinated shipments abroad and carefully branded “Jaffa” as the mark of quality. Their bold advertising campaigns in Europe, particularly in London, positioned the Jaffa orange as not only delicious but as a symbol of the rejuvenation of the Jewish Homeland. In 1938, at the height of these campaigns, posters like this one hung in shop windows across Britain, proudly declaring the excellence of the produce of the Land of Israel. For British consumers, the Jaffa orange meant sun, health, and exotic flavor; for Jews, it represented national revival, the transformation of swampland into fertile groves, and the determination to build a future rooted in productivity and pride. This particular poster, with its crisp lithographic colors and confident typography, is a superb example of Zionist commercial art in the service of nation-building. More than an advertisement, it is a piece of cultural history—evidence of how agricultural labor, cooperative enterprise, and visual design came together to tell the world that the Jewish People were back in their land, cultivating it with their own hands and sharing its fruits with the nations. Franz Krausz’s designs are now highly sought after by collectors of both Israeli history and vintage graphic art. This poster embodies the optimism of 1930s Eretz Yisrael, when the orange was not only fruit but a banner of Jewish self-reliance, modernity, and international success. A rare survivor, this 1930s Jaffa Orange Syndicate advertising poster is not simply commercial ephemera—it is a vivid work of Zionist visual culture, radiating the promise of a nation reborn. 9x11.5in; In Good Condition

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ORANGE POSTER: PLACE A BID

THEODOR HERZL ICONIC PHOTOGRAPH
1ST ZIONIST CONGRESS PHOTOGRAPHER
ROBERT SPRENG IN BASEL SWITZERLAND
1907, BASEL, SWITZERLAND

RESERVE: $5000 (estimate $7000-$9000)

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This striking studio portrait of Theodor Herzl, the visionary father of modern Zionism, was captured in Basel by the distinguished photographer Robert Spreng, court photographer of Baden and official documenter of the first Zionist Congresses. The cabinet photograph, printed circa 1907, reflects the enduring power of Herzl’s image in the years immediately following his death in 1904, when his likeness became a sacred emblem for the Zionist cause and the Jewish People worldwide. Basel, the very city where Herzl convened the First Zionist Congress in 1897, holds an immortal place in Jewish history. It was there that 208 delegates from across the Jewish world gathered, as Herzl himself recorded in his diary, to lay the foundation stone of the future Jewish State. “At Basel,” Herzl wrote, “I founded the Jewish State. If not in five years, then certainly in fifty, everyone will realize it.” Fifty years later, in 1947, the United Nations voted to create the State of Israel, proving Herzl’s prophetic words true. Robert Spreng, whose studio produced this portrait, was no ordinary photographer. A recipient of multiple international awards for his art, Spreng was entrusted with the weighty role of recording the Zionist Congresses themselves—the seminal gatherings where Jewish history was being rewritten. His Basel studio, just steps away from the Zionist Congress halls, became a place where Herzl’s likeness was enshrined and reproduced, ensuring that the image of the great leader would circulate among Jews in Europe and beyond. In the aftermath of Herzl’s untimely death, photographs such as this one were cherished as icons, carried in homes, schools, and communal halls, embodying both reverence for Herzl and commitment to his dream. Herzl’s pose here—formal, upright, and resolute—captures the man who dared to dream of the Jewish Homeland at a time when such an idea was dismissed by many as fantasy. Yet Herzl’s genius lay not only in dreaming but in mobilizing. Through his tireless diplomacy, his charismatic leadership, and his belief that the Jewish people must seize their own destiny, he set in motion the chain of events that culminated in Israel’s rebirth. This rare photograph is far more than a collector’s item. It is a tangible link to the very origins of Zionism, to Basel—the cradle of the State of Israel—and to Herzl himself, whose prophetic vision continues to inspire Jews across the world. That it was produced by the very photographer who stood in the Congress halls alongside Herzl and the early Zionist leaders makes it an even more precious artifact, one that bridges the symbolic with the historical. To hold this portrait is to hold a piece of the Zionist revolution itself, a sacred keepsake from the city where Jewish national destiny was reborn. 6.5x4.25in; In Very Good Condition

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HERZL PHOTOGRAPH: PLACE A BID

LARGE BEAUTIFUL MAP OF ERETZ YISRAEL

HIGHLIGHTING EARLY ZIONIST SETTLEMENTS
CREATED TO INSPIRE JEWS AROUND THE WORLD

TO GIVE TZEDAKAH FOR ISRAEL'S REDEMPTION
1934, TEL AVIV, ERETZ YISRAEL

RESERVE: $2400 (estimate $3000-$4100)

This large and beautiful map of Eretz Yisrael, published in Tel Aviv in 1934 by the Jewish National Fund (JNF) and printed by Kaufman in Hebrew & German, is a rare and inspiring relic of the days when the redemption of the Land was still a dream in the making. More than simply a map, this piece of Jewish history was created to stir the hearts of Jews across the world, to inspire them to give tzedakah generously, and to bind them to the sacred task of rebuilding the ancestral Homeland. On the front, the map depicts the geography of the Land of Israel as it stood in the 1930s, a visual expression of a nation’s longing. On the back, a printed table invited families and communities to record their donations month by month, transforming the map itself into a living ledger of Jewish devotion. Alongside the table are words that thunder with urgency and faith: “We are all working for the redemption of the land and the understanding of land for the refuge of Israel. We will fulfill our commitment! For the redemption of the land… Consider how poor and insignificant our share has been so far on the soil of this land, the land of our hope, and consider how grave the task is that we still have to fulfill! Then will you know that large voluntary donations from every single person in the nation are necessary. Your donation is also necessary to accomplish the work of redemption.” These were not mere fundraising slogans. In 1934, the Jewish People stood at a crossroads. The rise of Hitler in Germany and the tightening grip of antisemitism across Europe made the call to action more urgent than ever. The JNF, founded at the Fifth Zionist Congress in Basel in 1901, had become the central instrument for transforming Jewish pennies and pounds into acres of redeemed land. With every parcel purchased, with every tree planted, the JNF gave physical shape to the prophetic promise of Jewish return. This map, then, was more than paper and ink—it was a rallying cry, a symbol of collective responsibility, and a sacred reminder that every Jew, no matter how far from the Land, could take part in Israel’s rebirth. Distributed in Jewish homes and synagogues, maps like these became constant companions in daily life. Families would gather around them, children would trace their fingers across the Galilee, Judea, and the Negev, and each new donation marked on the table was a small but mighty act of national redemption. The map is a window into a time when Jewish unity was expressed not only through prayer but through tangible sacrifice, and when the dream of sovereignty depended upon coins dropped faithfully into the blue JNF pushke. To own such a map today is to hold a piece of the spiritual and material engine that built the State of Israel. It is a reminder of the extraordinary power of Jewish giving, of how countless acts of generosity coalesced into the miracle of national resurrection. This artifact is not just a map of land; it is a map of hope, faith, and destiny. 18x26in; In Very Good Condition

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ERETZ YISRAEL MAP: PLACE A BID

KABBALISTIC JERUSALEM HEALING AMULET

PROTECTION FOR GOOD HEALTH & SUCCESS

DIVINE BLESSINGS FOR THE JEWISH PEOPLE

EARLY 20TH CENTURY, JERUSALEM, ISRAEL


RESERVE: $700 (estimate $900-$1100)

This rare kabbalistic paper amulet for framing, was crafted in Jerusalem in the early days of the 20th century. It is a striking example of the sacred folk traditions that sustained the Jewish People through exile and into the rebirth of sovereignty. Written with mystical formulas and holy names, the amulet calls upon divine protection against plague, fire, illness, the evil eye, witchcraft, and every destructive force. It further offers blessings for strength of body and soul, healing for children’s sicknesses, and relief from painful diseases. But beyond personal protection, this amulet also carries a sweeping national vision. It petitions Heaven for the prolonging of Jewish life, for livelihood, for enduring seed, for wealth, honor, kindness, and mercy. It prays not only for individuals, but for the entire Jewish People—for divine assistance in their collective struggle for survival and renewal. Amulets such as these were cherished in Jerusalem during a time of both danger and hope. The young Yishuv faced external threats, poverty, and uncertainty, yet also brimmed with spiritual resilience. Families would keep such amulets in their homes, believing that divine blessing and kabbalistic protection could guard both body and soul, and by extension, safeguard the destiny of Am Yisrael itself. The imagery and texts of this piece embody the timeless Jewish yearning for health, prosperity, and security—but placed within the unique context of Jerusalem at the dawn of modern Israel’s rebirth, they also speak to a deeper national aspiration. Just as the amulet sought to shield against sickness and decree, the Jewish People themselves sought protection as they reestablished their homeland against overwhelming odds. To own this amulet is to hold a fragment of Jerusalem’s spiritual lifeblood—a mystical shield of blessing from the Holy City itself, crafted at a moment when the ancient prayers for survival and the modern struggle for independence were intertwined. 9.75x5.75in; In Very Good Condition with minor aging

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JERUSALEM AMULET: PLACE A BID

TRIBES OF ISRAEL SILVER BRACELET

SYMBOLIZING OUR JEWISH UNITY

BEZALEL SCHOOL OF ARTS & CRAFTS

1940s, JERUSALEM, ERETZ YISRAEL

RESERVE: $1500 (estimate $2000-$2400)

A magnificent and historic bracelet crafted in the famed Bezalel School of Arts and Crafts style, made in Jerusalem during the 1940s. This was crafted at the height of the British Mandate era, when Jewish artisans were forging not only silver and gold but also the very identity of a modern Jewish nation in its ancient Homeland. This silver bracelet, stamped “Silver Made” is comprised of twelve finely detailed links, each representing one of the Tribes of Israel. The clasp bears an engraved Hebrew inscription: “Shivtei Yisrael” (“The Tribes of Israel”), anchoring the piece firmly in biblical symbolism and national pride. Each tribe’s symbol is delicately depicted, echoing the Torah's blessings of Jacob and Moses, reminding the wearer of Israel’s ancient covenant and eternal destiny. The bracelet is an exquisite example of the Bezalel style, a uniquely Jewish artistic language developed by the Bezalel School of Arts & Crafts, founded in 1906 by Boris Schatz in Jerusalem. The institution sought to marry Jewish themes with modern artistic expression, blending European Art Nouveau elegance with local Middle Eastern and Yemenite traditions. At its core, Bezalel art was a tool of the Zionist movement, infusing biblical imagery with the dream of Jewish national revival. This bracelet epitomizes the best of that vision. The symbols of the tribes are rendered with a blend of romantic biblical idealism and expert Yemenite silversmithing techniques. Many of the Bezalel School’s most skilled craftsmen were Yemenite Jews, whose families had perfected the art of silverwork over centuries. Their mastery gave Bezalel creations their intricate textures and delicate precision, and here, in this bracelet, that tradition comes alive. The Twelve Tribes—Reuben, Simeon, Levi, Judah, Issachar, Zebulun, Dan, Naphtali, Gad, Asher, Menashe, Ephraim, and Benjamin, were not merely biblical names, but also served as a metaphor for Jewish unity and diversity as the scattered exiles of Israel gathered once again in Zion. To wear this bracelet in the 1940s was not only to adorn oneself with jewelry, but to declare pride in Jewish history and faith in the rebirth of the nation of Israel. Today, original Bezalel pieces from the pre-State and early Statehood era are highly sought-after, both for their artistic value and for their historical symbolism. This bracelet, with its complete cycle of tribal emblems and original Hebrew clasp, is a particularly rare and meaningful artifact—embodying the intersection of biblical heritage, Jewish artistry, and Zionist aspiration. An extraordinary example of Bezalel craftsmanship, this piece is not only fine silver jewelry, but also a tangible link between the ancient Twelve Tribes of Israel and the modern rebirth of the Jewish People in their Land. 8.25 in; In Good Condition

BEZALEL BRACELET: PLACE A BID

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SALVADOR DALI STUNNING ARTWORK

THE TRIBE OF JOSEPH AS A UNICORN

HAND-SIGNED AND NUMBERED FROM

DALI'S 'TWELVE TRIBES OF ISRAEL' SERIES

CELEBRATING ISRAEL'S 25TH BIRTHDAY

1973, NEW YORK, USA

RESERVE: $4500 (estimate $5500-$6500)

Salvador Dalí (1904–1989), the undisputed master of surrealism, turned his genius toward the Jewish story in a rare and powerful way with his celebrated Twelve Tribes of Israel portfolio. Created in 1972–1973 to mark the 25th anniversary of the founding of the State of Israel, the series consists of 13 original etchings with pochoir coloring, each depicting one of the biblical tribes. This particular work, Joseph, is among the most striking and imaginative of the set—portraying the patriarch as a mystical unicorn, hand-signed and numbered by Dalí himself (33/35), on fine Arches watermarked paper. Dalí’s choice to depict Joseph as a unicorn was inspired by Moses’ blessing: “To his firstborn ox is given glory. His horns are the horns of a re'em. With them, he will gore peoples together throughout all the ends of the earth these are the myriads of Ephraim, and these are the thousands of Manasseh.” (Deut. 33:17). True to his surrealist vision, Dalí transformed the imagery into a fantastical creature of power, majesty, and transcendence. The unicorn—symbol of purity, rarity, and unearthly strength—becomes a metaphor for Joseph’s uniqueness among his brothers, and, by extension, for the miraculous survival and flourishing of the Jewish People in their ancestral Homeland. The Twelve Tribes of Israel portfolio stands as one of Dalí’s most sensitive religious undertakings, uniting biblical tradition with modern history. For Dalí, the newly reborn State of Israel was the heir to the twelve tribes, a living continuation of ancient destiny. His surrealist symbolism, often probing exile, faith, and redemption, here becomes an artistic bridge between the biblical dream and the modern miracle of sovereignty. To collectors of Judaica and fine art alike, this hand-signed lithograph masterpiece by Dali is more than a work on paper. It is a testimony to how Israel’s rebirth captured the imagination of the world’s greatest artists, elevating the Jewish return to the Land of Israel into the realm of myth and eternity. Owning this Dalí artwork is to hold a synthesis of genius and prophecy—a tribute both to Joseph’s enduring legacy and to the reborn nation that carries his story forward. 26x20in; In Very Good Condition

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SALVADOR DALI: PLACE A BID

POWERFUL HANDWRITTEN PRAYER BY ISRAEL'S
FIRST CHIEF RABBI YITZHAK HALEVI HERZOG
FOR IRGUN FIGHTER CONDEMNED TO THE GALLOWS
JUNE 27 1938, JERUSALEM, ERETZ YISRAEL

RESERVE: $2600 (estimate $3500-$4000)

An extraordinary handwritten prayer proclamation by Rabbi Yitzhak Halevi Herzog (1888–1959), Chief Rabbi of Eretz Yisrael and future first Ashkenazi Chief Rabbi of the State of Israel —calling upon synagogues across the land to storm the heavens in prayer for the life of Shlomo Ben-Yosef, the first Jew sentenced to death by hanging on the gallows by the British in Mandatory Palestine. Dated June 27, 1938, just two days before the execution, Rabbi Herzog issued an urgent plea that Psalms 6, 9, 13, 16, 17, and 20 be recited after morning prayers to arouse mercy for Ben-Yosef and his imprisoned comrades. Despite tireless efforts—including personal appeals to High Commissioner Harold MacMichael and British military commanders—Rabbi Herzog’s attempts to secure a pardon were tragically unsuccessful. Shlomo Ben-Yosef (1913–1938), a young Betar member and Irgun fighter, was convicted for participating in an attempted reprisal attack following the brutal murder of Jews near Tzfat during the 1936–1939 Arab Revolt. On June 29, 1938, in Acre Prison, Ben-Yosef mounted the gallows with unshakable faith, singing the Betar anthem and proclaiming: “Long live the Jewish State! Long live Jabotinsky!” His martyrdom electrified the Yishuv, sending shockwaves through world Jewry, and earned him a revered place among the Olei Hagardom—the twelve Jewish fighters hanged under the British Mandate. Included with this remarkable relic is a contemporaneous letter from the rabbis of Haifa to Rabbi Herzog, dated the very day of the execution, lamenting that the authorities denied Ben-Yosef the chance to confess with a rabbi present. The letter bears the signatures of Rabbi Baruch Marcus and Rabbi Yehoshua Kaniel, along with the official stamp of the “Rabbinate of the Hebrew Community of Haifa.” This historic manuscript embodies the spiritual and national drama of the pre-state struggle: the Chief Rabbi rallying the Jewish People in a sacred call for unity and divine mercy, even as one of Zionism’s first martyrs ascended the gallows. A moving and exceedingly rare artifact at the intersection of Torah leadership, Jewish resistance, and the ultimate sacrifice for the rebirth of Israel. 13x8.25in; In Very Good Condition

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RABBI HERZOG: PLACE A BID

'HATIKVOH' ZION ALBUM SHEET MUSIC
EARLY PORTRAITS OF HERZL & NORDAU
ZIONIST ORGANIZATION FOUNDERS
1910, NEW YORK CITY, USA

RESERVE: $500 (estimate $700-$900)

This exquisitely designed sheet music, titled 'Zion Album' featuring an early rendering of Hatikvoh (The Hope), is a magnificent artifact of Zionist inspiration, blending artistry and history in one remarkable piece. Published in 1910 by the renowned Hebrew Publishing Company in New York City, this edition features not only the musical notation for Hatikvoh but also “Dort vu die tseder” (There Where the Cedars Are), offering a poignant connection to the cultural and spiritual revival of the Jewish People. The cover design radiates Zionist fervor, with a shining Magen David at its center, symbolizing the eternal hope and resilience of the Jewish nation. Flanking the star are striking portraits of Theodor Herzl and Max Nordau, founders of the Zionist Organization and visionaries of the Jewish national revival. Their images frame the music with a sense of leadership and purpose, underscoring the significance of this work in the Zionist movement. “Hatikvoh,” known today as Hatikvah (The Hope), is based on Naftali Hertz Imber’s 1877/78 poem Tikvatenu (Our Hope), a lyrical expression of the Jewish yearning to return to the Land of Israel. The musical arrangement, for which Henry Russotto’s publishing house first secured rights, brought this timeless anthem to life, linking it to the cultural awakening of Jews worldwide. Eventually, Hatikvah was adopted as the national anthem of the State of Israel, cementing its place in Jewish and Zionist history. This rare publication is more than sheet music; it is a powerful emblem of Jewish hope and determination. The presence of Herzl and Nordau on the cover bridges the musical and ideological pillars of Zionism, while the vibrant artistry evokes the deep emotional connection between the Jewish People and their ancestral homeland. For collectors of Judaica, Zionist memorabilia, or historical music, this piece stands as a testament to the indomitable spirit of Zionism at the dawn of the 20th century. It is a celebration of hope, unity, and the realization of a national dream, immortalized in song and design. 12.5x9.25in; In Very Good Condition

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HERZL HATIKVAH: PLACE A BID

MUSEUM TREASURE 17TH-CENTURY TORAH
PRINTED BY MENASSEH BEN ISRAEL IN VELLUM
STOLEN BY HERMAN GORING, STAMPED FOR HIS PRIVATE FUHRER LIBRARY IN THE HOLOCAUST
1630s, AMSTERDAM, NETHERLANDS

RESERVE: $35,000 (estimate $50,000-$60,000)

An exceptionally rare Torah, Prophets, and Writings (Tanach) printed in Amsterdam by the pioneering rabbi, scholar, and printer Menasseh ben Israel (1604–1657), bound in its original 17th-century vellum animal skin binding. This very copy carries a chilling Holocaust provenance: it was looted from the library of Dr. J. N. Pellieux, a French-Jewish physician in Beaugency, seized by the Nazis during the German occupation of France, and transferred into the private library of Hermann Göring—Reichsmarschall, commander of the Luftwaffe, and Hitler’s designated successor. Göring, notorious for plundering Europe’s artistic and cultural treasures, kept this Bible at his Berghof estate in the Obersalzberg “Führer Compound.” Following the Allied liberation of the area on May 4, 1945, this Bible was recovered by the Deuxième Division Blindée (Free French 2nd Armored Division), whose soldiers added an ink stamp appearing on the frontispiece along with a pasted note stating: “Cette pièce provient des collections personnelles d’Hermann Goering au Berghof, 4-5-1945.” In 2005, the volume resurfaced when a chaplain of the French division who had safeguarded it after the war gifted it to a London Jewish family, marking the Bible’s passage from oppression toward restitution, finally returning it to the community from which it had been so violently taken. In the early decades of the seventeenth century, a prodigious Jewish mind emerged in Amsterdam, a city that had become a rare sanctuary for Jews fleeing persecution across Europe. Born in 1604, Menasseh ben Israel was the scion of converso parents who had escaped the Portuguese Inquisition. From his earliest years, he displayed an extraordinary grasp of languages, science, and religious learning, quickly establishing himself as a scholar of unparalleled erudition. By the age of eighteen, he had assumed rabbinic duties within Amsterdam’s vibrant Portuguese Jewish community and, recognizing the urgent need to preserve and disseminate Jewish learning, founded the city’s first Hebrew printing press in 1626. Through his press, Menasseh ben Israel produced not only sacred texts but also works on theology, mysticism, and science, all designed to strengthen Jewish identity and bridge understanding between Jews and the wider European intellectual world. Among his notable friends was the celebrated painter Rembrandt, who would immortalize Menasseh’s visage and even contribute illustrations to some of his works. Between 1631 and 1635, Menasseh ben Israel printed the Torah, Nevi’im, and Ketuvim that comprise the volume now before us. Bound in contemporary vellum, this Bible is not merely a book; it is a testament to Jewish resilience and cultural revival. Each page carries the weight of centuries of diaspora experience, reflecting both the intellectual flowering of Amsterdam’s Jewish community and the deep longing for redemption and restoration that would later inspire modern Zionist thought. Menasseh’s vision extended beyond Amsterdam; in 1644, he would famously travel to London to petition Oliver Cromwell to allow the resettlement of Jews in England, a mission documented in his work Mikve Israel. Though the legal recognition he sought was delayed for years, his efforts laid the foundation for Jewish return and communal restoration in Western Europe. The journey of this particular copy mirrors the tumultuous course of Jewish history itself. For centuries, it was cherished as both a sacred text and a symbol of heritage. But in the dark years of the Second World War, it was seized by the Nazis, becoming part of the vast art and cultural plunder orchestrated by Göring, one of the most infamous figures of the Third Reich. Göring, who maintained a private library within his Berghof estate in the Bavarian Alps, coveted treasures of European art and literature, including those of Jewish origin. This Bible, stolen from a Jewish home, sat among stolen masterpieces such as Rembrandts and Vermeers in a compound that had been reserved for Hitler’s closest associates, an emblem of the regime’s arrogance and the desecration of Jewish culture. The physical characteristics of this Bible are remarkable. It is a complete Tanach, bound in four parts in one volume, printed on thick, high-quality paper, with separate title pages for Torah, Prophets, and Writings. Though nearly 400 years old, it retains much of its original integrity: the vellum binding shows only minor wear, and the pages are annotated with Hebrew and Latin inscriptions from centuries past, reflecting a long life of study and devotion. It bears silent witness to the scholarly dedication of Menasseh ben Israel, the devotion of European Jewish households, and the horrors and triumphs of the twentieth century. This volume encapsulates profound symbolism. It is the product of a Jewish community newly freed from persecution in Amsterdam, a tangible expression of Menasseh ben Israel’s vision for the Jewish People; it is a sacred object plundered by one of history’s most infamous perpetrators of genocide; and it is a survivor, liberated and restored to Jewish hands, carrying with it the echoes of both loss and redemption. To hold it is to hold nearly four centuries of Jewish history, from the diaspora’s intellectual flowering through the horrors of the Holocaust, and into the modern reclamation of heritage and faith. As an artifact, it transcends its physicality. It is a testament to resilience, scholarship, and the enduring spirit of the Jewish People. It is rare in every sense: rare for its age, rare for its provenance, rare for the intertwining of its sacred, cultural, and historical significance. This Bible is not merely a printed work; it is a narrative of survival, a vessel of memory, and a monument to the unbroken thread of Jewish life across the centuries. Its journey from Menasseh ben Israel’s press to the hands of a modern-day custodian of history makes it a singular treasure, one that commands both reverence and awe. Very few Judaica artifacts combine such antiquity, bibliographic rarity, Holocaust provenance, and emotional weight. It is a treasure fit for a national museum, a Holocaust memorial institution, or a private collector who understands that to acquire it is to become the next guardian in a chain of history stretching from Europe's Jewish revival to the defeat of Nazism. A once-in-a-generation opportunity to secure one of the most important Jewish books ever offered at charity auction. 8.85x7in; 369 Leaves, Four parts in one bound volume; In Very Good Condition with some wear and aging from 400 years of use, plus its embattled adventures throughout war torn Europe.

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MUSEUM TORAH: PLACE A BID

'ANNE FRANK STORIES' FROM THE HIDDEN ANNEX
+ ANNE FRANK HOUSE CARD AUTOGRAPHED AND
DATED BY HER LOVING FATHER OTTO FRANK
1968, AMSTERDAM & TEL AVIV

RESERVE: $2800 (estimate $3600-$4100)

"A few weeks ago, I started writing a story, something I made up from beginning to end, and I’ve enjoyed it so much that my pen-and-inklings are piling up." - Anne Frank's Diary dated August 7th 1943 "The nicest part is being able to write down all my thoughts and feelings; otherwise, I'd absolutely suffocate. - Anne Frank's Diary dated March 16th 1944. Anne hoped one day to become a famous writer or journalist. Although she doubted from time to time whether she was talented enough, Anne wanted to write anyway... Few names in Jewish and world history resonate with such poignancy as Anne Frank. Her diary, written while in hiding during the Holocaust, has become perhaps the single most recognized testimony of the Jewish experience under Nazi tyranny, capturing the imagination of generations with its raw humanity, unbroken hope, and tragic silence. The present lot from 1968 brings together rare and deeply moving artifacts directly connected to Anne Frank’s life and legacy. Tel Aviv's Yavneh Press edition of Stories from the Secret Annex— a posthumous collection of Anne’s lesser-known writings—and, most significantly, a rare original Anne Frank House postcard boldly signed and dated by her father, Otto Frank, the sole survivor of the Frank family and the man who dedicated his life to ensuring his daughter’s voice would never be silenced. Anne Frank, born Anneliese Marie Frank in Frankfurt am Main in 1929, was only four years old when her family fled Nazi Germany for Amsterdam in 1933, seeking refuge from the escalating antisemitic persecution unleashed by Hitler’s rise to power. Yet safety proved temporary: by May 1940, the German army had invaded and occupied the Netherlands, and by July 1942, with deportations of Dutch Jews underway, Otto Frank moved his wife Edith, daughters Margot and Anne, into a concealed annex above his spice and pectin business on Prinsengracht 263. For over two years, the family—together with the van Pels family and later Fritz Pfeffer—lived in secrecy, sustained by the courage of Dutch helpers such as Miep Gies. During those years in the “Achterhuis” (Secret Annex), Anne filled her now-famous diary with intimate reflections, dreams, and observations, but she also composed short stories, fairy tales, and an unfinished novel. These works, later collected under the title Verhalen rondom het Achterhuis (Stories from the Secret Annex), reveal another dimension of her extraordinary talent: a precocious writer experimenting with fiction, allegory, and humor even in the darkest of times. Unlike her diary—intended as a private confessional—Anne shared these stories with her family and even dreamed of publication. On March 28, 1944, after hearing an exiled Dutch minister on the BBC urge citizens to preserve wartime accounts for posterity, Anne began consciously rewriting and editing her diary for future publication, titling it Het Achterhuis (The Secret Annex). Tragically, Anne’s literary ambitions were cut short. On August 4, 1944, following a betrayal, the hidden Jews of Prinsengracht were arrested. The Franks were deported to Westerbork transit camp, then Auschwitz. In late October, Anne and Margot were transferred to Bergen-Belsen, where both perished of typhus in early 1945, only weeks before the camp’s liberation. Edith Frank had already died in Auschwitz; only Otto survived, liberated by the Red Army on January 27, 1945. In July 1945, Miep Gies gave Otto Frank the preserved notebooks and papers she had saved from the Annex. Initially too devastated to read them, Otto eventually confronted the writings of his beloved youngest daughter, discovering in them a depth of thought and feeling he had never fully realized in life. “For me it was a revelation,” he later wrote. “I did not know the depth of her thoughts and feelings… She kept all these feelings inside her.” Determined that Anne’s words should live, Otto arranged for the diary’s first publication in Dutch in 1947. From there it spread worldwide, translated into dozens of languages, embraced by millions, and elevated into one of the most influential books of the 20th century. Writers like Primo Levi and Simon Wiesenthal emphasized its universal resonance, noting how readers saw in Anne’s words not only a Jewish child’s tragedy, but also a mirror of their own families and humanity. Otto Frank devoted the remainder of his life to preserving Anne’s legacy, tirelessly supporting editions, translations, adaptations, and the establishment of the Anne Frank House as a museum and educational center. He described his unique role with humility, noting that while usually children carry the legacy of their famous parents, his life had been reversed: “In my case, the tables were turned.” To the end of his days, Otto answered letters from young readers, guided exhibitions, and reminded the world of the lessons his daughter’s voice carried. The black and white photograph card of the Anne Frank House, the site of the family’s hiding place in Amsterdam, signed and dated by Otto Frank on December 14, 1968— is a deeply personal testimony from the man who alone bore the burden of memory. Written in his distinctive hand, this autograph is more than a signature; it is the mark of the father who carried Anne’s words into eternity. Anne Frank: Stories from the Secret Annex has 114 pages, with illustrations by Dominique Rolland and Eve Nathan. This rare Hebrew edition collects Anne’s short stories, fables, and fragments, showcasing her remarkable imagination and literary gift beyond the diary. Among the writings included are whimsical tales, reflections on her schooldays, and passages inspired by the daily life of the Annex, all of which deepen our understanding of Anne not only as a diarist, but as an aspiring novelist. Together, these artifacts embody both the silence of loss and the endurance of memory. They remind us that while Anne’s life was stolen, her words remain indestructible. As Simon Wiesenthal observed, “People identify with this girl, and say in their hearts: this was the Holocaust. This was a family like mine.” A historic and profoundly moving lot. 6.75x9.5in; 114 Pages, In Good Condition Note that this charity auction lot is presented by The Leight Legacy Heroes, United Hatzalah’s leadership and philanthropy program for kids and teens. Hatzalah's youth program's mission is to inspire and empower the next generation of Jewish leaders – young people who embody courage, hope, and a commitment for doing good in the world, just as Anne Frank did. Please bid generously on this lot using your tzedakah and learn more about Leight at www.israelrescue.org/heroes

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ANNE FRANK: PLACE A BID

STATE OF ISRAEL IS BORN NEWSPAPER HONORS
HERZL & JABOTINSKY 'AFTER 1878 YEARS OF EXILE'
+ TEXT OF THE DECLARATION OF INDEPENDENCE 

MAY 16 1948, TEL AVIV, ISRAEL

RESERVE: $2500 (estimate $3500-$4200)

An extraordinarily rare and emotionally stirring artifact of Israel’s rebirth: the May 16, 1948 special “State Day” issue of HaMashkif, the Hebrew-language daily published by the Revisionist Zionist party, Hatzohar. Issued in Tel Aviv on 7 Iyar 5708, this historic edition proclaims in bold headline: “The State of Israel Was Established.” Beneath the headline: “On this day, the State of Israel was reestablished after 1,878 years of slavery and exile.” This front page celebrates the birth of Jewish sovereignty with gravitas and grandeur. Featured prominently are the portraits of Theodor Herzl and Ze’ev Jabotinsky, the two ideological architects of modern Jewish nationalism—positioned above the full printed text of Israel’s Declaration of Independence. Alongside it appears the stirring address of Irgun commander Menachem Begin, delivered the day the State was born, in which he announced: “The Irgun ceases underground activities within the borders of the free Hebrew State.” Known as the “Mars Dawn Speech,” Begin’s declaration signaled the end of the Revisionist underground struggle and the beginning of the Irgun’s integration into the newly established IDF. This complete issue includes stirring reports on the early days of the War of Independence—mentioning the Egyptian invasion, battles to liberate Jerusalem, the arrival of the first Jewish immigrants, and news of American recognition of the State of Israel. On the inside: “Today we become a people!” “Today you will sign the national seal and receive a certificate bearing a seal—on Israel’s Independence Day.” HaMashkif had been founded in 1938 by the Revisionist movement to replace HaYarden, which had been shut down by the British. Throughout its decade of existence, HaMashkif served as the voice of the Revisionist camp and the Irgun, and Jabotinsky himself contributed regularly until his death in 1940. It remained one of the most ideologically driven and uncompromising newspapers of the Yishuv period. This special “State Day” edition—issued just two days after David Ben-Gurion’s official declaration—captures the revolutionary spirit, ideological fervor, and messianic hope that gripped the Zionist right and its followers as Jewish sovereignty was restored after nearly two millennia. A museum-worthy centerpiece for any collector of Zionist history, this edition of HaMashkif does more than announce statehood—it embodies the triumphant realization of Herzl and Jabotinsky’s prophetic dreams. 15.5x21.5in; Bifold 4 Pages; In Fair Condition with minor tear/corner loss, repair and edge wear commensurate with age, yet in beautifully frameworthy condition

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ISRAEL IS BORN: PLACE A BID

'THE REVOLT' MAGNIFICENT BOUND EDITION
MENACHEM BEGIN SIGNED & DEDICATED
'FOR ISRAEL'S RESURRECTION' 
1950, TEL AVIV, ISRAEL

RESERVE: $3600 (estimate $4500-$5500)

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This rare and distinguished edition of HaMered or The Revolt — is the seminal memoir by Menachem Begin, commander of the Irgun Zvai Leumi (Etzel) and future Prime Minister of Israel — is both a literary milestone and a Zionist relic of the highest order. Elegantly bound in a custom leather-style cover, the book bears a striking copper relief of the Irgun’s emblem: a rifle held aloft over the full map of the Land of Israel, symbolizing the movement’s enduring commitment to Jewish sovereignty over all of Eretz Yisrael. Most significantly, this volume is personally signed by Begin on the title page with a powerful dedication: "For the resurrection of Israel, M. Begin." First published in 1950, just two years after the founding of the State, The Revolt recounts the inner workings, ideological clarity, and daring 1940s operations of the Irgun underground during the British Mandate. Begin’s firsthand account offers unparalleled insight into the clandestine war for Jewish independence — from the bombing of British installations to the controversial hanging of British soldiers in retaliation for Zionist executions. Written with moral conviction and literary precision, it remains one of the most important personal narratives of the modern Zionist era. The front matter includes a printed facsimile of a letter from Begin to the fighters: "Our sons rose up to fight the people's war..." This sets the tone for the pages that follow, which feature rare historical photographs, operational maps, and deeply personal reflections on the price of freedom and the responsibilities of leadership. This special edition was created as a tribute to the men and women of the underground — the freedom fighters of Etzel — and carries with it the spirit of a generation that refused to surrender Jewish destiny to foreign rule. To hold this volume is to touch the heartbeat of a revolution: the transformation of a stateless people into a sovereign nation, told by the man who would one day lead it. A cornerstone piece for any collector of Zionist history or supporter of Israel’s national legacy. 8.5x5.5in; 514 Pages, In Excellent Condition with minor wear and foxing

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MENACHEM BEGIN: PLACE A BID

LEGENDARY MOSSAD SPY ELI COHEN

UNDERCOVER WATCH MODEL

GOLD ETERNA-MATIC

1961, SWITZERLAND

RESERVE: $1600 (estimate $1800-$2200)

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In 1948, the Swiss based Eterna Watch Company advanced self-winding watch technology with the development of the Eterna-matic automatic movement. The use of five strategically placed ball bearings made the movement very efficient and significantly reduced friction and resistance on the oscillating weight that wound the mainspring. This reduced the wear and tear on internal parts, increasing the watch’s accuracy and useful life. The new watch became popular, and by 1961 the company released its Centenaire version with a date window, not realizing how truly useful it would become.  The announcement in July 2018 of a successful special Mossad operation to recover a watch came more than 53 years after its owner had been publicly hanged in Damascus, Syria. An Eterna-Matic Centenaire 61 had been purchased in Geneva in 1961 by a Syrian national called Kamel Amin Thaabet, who would wear the timepiece for almost four years. But Thaabet was a fiction. In fact, he was a Mossad undercover officer named Eli Cohen, an Egyptian-born Jew who became Israel’s most legendary spy. The Centenaire 61, then marketed by Eterna as a thin elegant new timepiece at a glance, originally retailed at $135, and it was a finishing touch to Eli's cover. It seemed to befit his identity as Thaabet, a wealthy, flamboyant businessman bound for Buenos Aires. The watch was part of Eli Cohen's operational image and part of his fabricated Arab identity. The Mossad is believed to have kept documentation of the purchase of the Centenaire—perhaps connecting a serial number—that confirmed Cohen purchased it in Switzerland when his cover as Thaabet was being established. When Israel was able to capture the Golan Heights during the Six-Day War of 1967, credit was given to Cohen’s exemplary espionage. Eli Cohen was hanged on May 19, 1965, at Marja Square at the center of Damascus, his body left swaying on the rope for hours. Yet to this day, the bodily remains of Eli Cohen, who operated in Damascus for three years until his capture in January 1965, have never been recovered. His watch was ultimately returned by the Mossad to his wife Nadia in Israel. The lengths to which Mossad went to locate the Centenaire and the simmering national anger over the failure by an Arab enemy to return his body, speaks to the centrality of espionage and enduring enmities in the psyche of the Jewish State. ​Of course this is not Eli's personal watch, but it is the exact same vintage year, make and model. The Mossad used forensics expert, and photo experts who examined pictures of Eli Cohen with his watch, as well as diving into Swiss archival records. Our gold-filled case is still as elegant and alluring as when Eli wore his at the lavish parties where he hosted the glitterati of 1960's Damascus high-society. As far as Zionist warrior equipment goes, this is the tops. 35mm Case Diameter, 42mm Lug to Lug; In Good Condition

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ELI COHEN: PLACE A BID

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EXODUS, FIRST ENGLISH PRINTING IN ISRAEL

AUTOGRAPHED BY THE LEADERS OF ISRAEL

PRIME MINISTER DAVID BEN-GURION, GOLDA MEIR,

PRESIDENT YITZHAK BEN-ZVI, ABBA EBAN & MORE

AUTHOR LEON URIS SIGNED INSERT

1959, JERUSALEM ISRAEL



RESERVE: $75,000 (estimate $85,000-$100,000)

An entire​ generation of Jews were shaped, and their Zionism born, thanks to Leon Uris's epic novel, Exodus. This book, and popular film starring Paul Newman, even played a crucial role in changing American political attitudes towards Israel. For so many, Exodus taught that the founding of Israel was a continuation of the themes of World War II — the next stage of the fight for good against evil. First published in 1958, 10 years after David Ben-Gurion proclaimed the birth of the State of Israel, Exodus fictionalized many of the historic events surrounding the formation of the new nation — Holocaust narratives, independence battles, sensual encounters in Tiberias — and the total package ended up shaping not just generations of global perceptions of Israel, but their foreign policy too. After its publication, Exodus immediately rose to the top of The New York Times bestseller list, where it stayed for a year. The publisher claimed that the advance paperback order was the largest in history. Exodus became Israel's most prolific and impactful ambassador. Exodus begins by invoking the words of God as spoken to Moses, exhorting him to lead the Jewish People to Israel. But its action starts in 1947 Cyprus, where child survivors of the Holocaust are held behind barbed wire, prevented from entering Mandatory Palestine by the British. There, our hero, underground Israeli military leader Ari Ben Canaan, meets his heroine, Kitty Freeman. Together, they reach Mandatory Palestine by ship, called The Exodus, filled with Holocaust Survivors. They develop new agricultural methods and turn the desert green; rout the British; declare Israel a Jewish State; and fight the Arabs. They fall in love, but never as deeply with each other as they do with the Land of Israel. The genius of Exodus was Uris’ realization that the best way to market a new nation is not through a speech, editorial, radio broadcast, map, or a soaring anthem, but rather through a story. He wrote the Bible of modern Zionism. ut this copy of Exodus isn't just a well kept hardback first printing of the English edition in Israel by Steimatzky. It is an exceedingly rare tome that holds something far more scarce. The inside leaves contain one of the most incredible collections of handwritten autographs by the founders and leaders of Israel at the time. Our curators are unaware of another single document in private hands that compares. When Roland Michener, the then official representative of Queen Elizabeth II in Canada, was on a 1959 state visit to Israel, he bought himself a copy of the newly printed Exodus. And like so many of his peers in global leadership positions of power, became inspired. Traveling now with his treasured copy of Exodus in tow to government meetings, being hosted by various Israeli leaders, he politely requested them to all sign. He unwittingly created one of the most iconic treasures of modern Zionism. Autographs include: - Prime/Defense Minister David Ben-Gurion - President Yitzhak Ben-Zvi - First Lady Rachel Ben-Zvi - Foreign Minister Golda Meir - U.N. Ambassador Abba Eban - Knesset Speaker Nahum Nir​ - Ambassador Zvi Loker - Canadian Ambassador Margaret Meagher - Various acquaintances & travel companions​ - Exodus author, Leon Uris (card insert) 8.5 x 6in; 626 pages, original dust jacket. In Excellent Condition

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EXODUS AUTOGRAPHED: PLACE A BID

HISTORIC APOLLO 11 ASTRONAUT AUTOGRAPHS
ON MENUS FROM A CELEBRATORY ISRAELI DINNER
FOR THE MOON LANDING WITH NEIL ARMSTRONG, 
BUZZ ALDRIN & MICHAEL COLLINS AND PSALM 72 -
'ABUNDANT PEACE SO LONG AS THE MOON ENDURES'
SUNDAY JULY 20 1969, ISRAEL


RESERVE: $7,000 (estimate $9,000-$10,000)

On July 20th 1969, as the world’s eyes turned heavenward to witness mankind’s first steps upon the moon, a festive meal was held under Israeli auspices to mark the epoch-making event. Presented here are three extraordinarily rare menus from that celebration — each signed individually by one of the Apollo 11 astronauts: Neil Armstrong, Buzz Aldrin, and Michael Collins. Each menu is a four-page booklet. The cover bears a lithographic image of “A Street in Jaffa” by the Jewish artist Alec Stern, a poetic evocation of the Land of Israel paired with the greatest triumph of modern science. Inside, the left page features the date, Sunday, July 20, 1969, alongside the Apollo 11 mission emblem, and most poignantly, a verse from the Psalms: “And abundance of peace, so long as the Moon endureth” (Psalms 72:7). This biblical line was not chosen at random. It was the very message transmitted by Israel’s President Zalman Shazar to NASA and included on the famous goodwill silicon disc that the Apollo 11 astronauts carried with them and deposited upon the lunar surface. Alongside messages from 73 nations, Israel’s contribution stood out as a fusion of Jewish scripture, hope, and timeless yearning for peace. The right inside page records the menus for the festive occasion, while the back cover explains the artwork and carries a sponsorship message from El Al Israel Airlines, the proud flag-carrier of the young Jewish State. The design thus weaves together Israeli art, biblical tradition, Zionist enterprise, and space exploration — a perfect encapsulation of Jewish modern identity at a moment when humanity reached beyond earth and touch the heavens for the first time. Of exceptional significance is the presence of all three Apollo 11 crew hand-signed autographs, signed directly on these menus: - Neil Armstrong, the first man to walk on the moon, in black ink. - Buzz Aldrin, the second man on the moon, likewise signed in brown ink. - Michael Collins, pilot of the command module, signed in blue ballpoint pen. The context of these menus is itself shrouded in mystery. Despite deep research, we have found no other surviving copies nor mention of this celebratory dinner in the archives of the Library of Congress, NASA, in the National Library of Israel, or in any other institutional collection in the world. It seems no official record survives, making these menus virtually unique. When and under what circumstances, the astronauts signed the menus afterward remains unknown — but what is certain is that these pieces represent a singular intersection of the State of Israel with the momentous Apollo 11 mission. When Armstrong and Aldrin completed their lunar excursion, they indeed left behind that silicon disc carrying Israel’s Psalmic blessing for peace “as long as the Moon endureth.” Thus, in a way, the Jewish People and the young State of Israel left their imprint upon the Sea of Tranquility itself. These menus, signed by the men who carried and placed that disc, are a tangible bridge between Jerusalem and the moon, between ancient Jewish scripture, the culmination of the Zionist dream, and inarguably one of humanity’s greatest technological achievements. For collectors of space history, Judaica, or Zionist ephemera, the rarity and singular importance of this item cannot be overstated. There is no known parallel artifact linking Israel so directly to Apollo 11, and with the autographs of Armstrong, Aldrin, and Collins, its importance transcends both categories. A breathtaking, possibly unique, museum-quality artifact at the crossroads of Jewish history, Zionist pride, and man's giant leap for mankind. 8.5x12in; All three menus when open. In Good Condition with minor wear

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APOLLO 11 AUTOGRAPHS: PLACE A BID

PRIME MINISTER BEN-GURION AUTOGRAPH ON

'ISRAEL' ARTWORK BY ZIONIST ARTHUR SYZK
1949, PRINTED IN CANADA

RESERVE: $7500 (estimate $8500-$9500)

This extraordinary artwork by Arthur Szyk is a visual and historical masterpiece from his Visual History of Nations Series, completed in 1948—the year of Israel's independence—and printed in 1949. This work captures 4,000 years of Jewish history, seamlessly blending biblical narratives with modern Zionist triumphs. The vibrant lithograph would be incredible enough, but this item is also hand-signed by Prime Minister David Ben-Gurion, making it exceptionally rare. At its heart lies the iconic blue Star of David, radiating messages of divine protection and resilience. Above the star is a crown, a symbol of reverence and honor, while below it is inscribed Hillel’s profound dictum: “If I am not for myself, who will be for me?” This timeless phrase embodies the spirit of self-reliance and determination that has characterized the Zionist movement. The composition features prominent biblical figures who represent the strength and legacy of Jewish history. King David and his son, King Solomon, appear at the top corners, with Solomon holding a copy of the Song of Songs. Below them are three central figures: Hur, the warrior; Moses, the lawgiver; and Aaron, the high priest. Together, they reflect the diverse roles that have shaped Jewish tradition and faith. Szyk seamlessly weaves historical and prophetic elements into the artwork. To the left of the Star of David sits Bar Kochba, a leader of the revolt against Roman rule and a symbol of Jewish resistance. His shield bears the Star of David, underscoring its enduring significance as a symbol of strength and divine protection. On the right is the prophet Ezekiel, whose vision of the return to the homeland after Babylonian exile resonates deeply with the modern rebirth of Israel. The bottom of the image depicts symbols of modern Israel, an IDF soldier and determined Kibbutznik. The lithograph also celebrates the natural and agricultural bounty of Israel, with clusters of grapes and oranges framing the composition. These elements connect the land’s biblical heritage to its contemporary achievements as a flourishing nation. At the base of the artwork, two majestic Lions of Judah stand guard around the Ten Commandments, symbolizing the enduring strength and spiritual legacy of the Jewish People. Interwoven throughout the piece are the twelve symbols of the ancient tribes of Israel, which integrate the composition and highlight the nation’s foundational unity. Arthur Szyk, the artist behind this masterwork, was renowned for his meticulous illuminations and his unwavering dedication to Jewish and Zionist causes. Born in 1894, Szyk’s art often celebrated Jewish history and heroism, presenting the Jewish People not as victims, but as active participants in shaping their destiny. During World War II, his work reached millions through exhibitions, magazines, and newspapers, serving as both a rallying cry for Jewish rescue efforts and a testament to the resilience of his people. This lithograph was part of the Visual History of Nations Series, commissioned by Canadian philatelist Kasimir Bileski in 1945. The series aimed to honor member states of the newly formed United Nations. While Szyk envisioned around 60 designs for the series, only nine were completed before his untimely death in 1951. This particular piece, commemorating the creation of the State of Israel, is one of the most significant works in the series, embodying Szyk’s genius and his deep connection to Jewish history and Zionist ideals. This lithograph is an important artifact, a testament to the enduring spirit and creativity of the Jewish People, and a centerpiece for any Zionist home. Note that many institutions worldwide have this same artwork (without Ben-Gurion's autograph) in their own collections, including the United States Holocaust Memorial Museum in Washington D.C. 9.75 x 7.25in; In Excellent Condition

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BEN-GURION SYZK: PLACE A BID

'PARATROOPERS AT THE KOTEL'
LIBERATING JERUSALEM IN SIX-DAY WAR
ORIGINAL RUBINGER ICONIC PHOTOGRAPH
GIFT FROM IDF CENTRAL COMMAND GENERAL
TO IDF COMMANDER IN CHARGE OF GAZA
JUNE 7 1967, JERUSALEM, ISRAEL

RESERVE: $5600 (estimate $6300-$7000)

The photograph known as “Paratroopers at the Western Wall” is widely regarded as one of the most powerful and iconic images in Israeli history. Captured by photojournalist David Rubinger on June 7, 1967, during the Six-Day War, it immortalizes the moment three IDF paratroopers, Zion Karasenti, Yitzhak Yifat, and Chaim Oshri, stood in awe before the Kotel. Their expressions, a mixture of triumph and reverence, embody the emotion of a nation that had just reunited with its ancient spiritual heart after nearly two millennia. The liberation of Jerusalem was one of the defining moments of the Six-Day War, a conflict fought between Israel and neighboring Arab states in June 1967. The battle for Jerusalem was particularly intense and symbolic, as it represented both a military objective and a spiritual aspiration for the Jewish people. For years prior, Jews had been barred from accessing the Western Wall, their most sacred site, following Jordan's occupation of East Jerusalem during the 1948 Arab-Israeli War. The battle for Jerusalem began in earnest when Jordan violated a ceasefire agreement and initiated an offensive against Israeli positions. Despite Israel’s initial defensive posture and attempts to de-escalate, the IDF launched a counterattack when Jordanian forces began shelling Israeli territories. The fight for the city spanned three days and culminated in the liberation of the Old City and East Jerusalem, reuniting the entirety of Jerusalem under Israeli sovereignty. Among the units that played a pivotal role in this operation was the IDF's Paratroopers Brigade. These soldiers engaged in fierce, close-quarters combat to overcome the entrenched Jordanian forces. The final push into the Old City saw the paratroopers enter through the Lions’ Gate, a historic moment that marked the return of Jewish forces to the ancient heart of Jerusalem. When they reached the Western Wall—the last remnant of the Second Temple—emotions overwhelmed the soldiers. They prayed, wept, and celebrated, aware of the monumental significance of the moment. David Rubinger, then a freelance photographer, arrived in Jerusalem shortly after the city’s liberation, determined to capture the historic events unfolding. He photographed numerous scenes, including IDF Chief Rabbi Shlomo Goren blowing a shofar at the Wall while holding a Torah scroll. However, it was the image of the three paratroopers gazing at the Western Wall that would come to define the war and its aftermath. Rubinger credited his wife, Anni, with recognizing the power of this image and encouraging him to share it widely. This photograph resonated so deeply with the Israeli public and the Jewish diaspora that it became a national symbol. In 2001, the Israeli Supreme Court declared the image “the property of the entire nation,” acknowledging its unparalleled role in capturing the essence of a pivotal moment in Jewish history. The print offered here is an early and rare example of Rubinger’s iconic work, carrying unique provenance. It was presented as a gift from General Efrat Yona, Commander of the IDF's Central Command, to Colonel Zeevi Binyamin in recognition of his service as head of the IDF Central Command’s Unit for Arab Issues and Gaza Region Affairs. This provenance adds a layer of historical depth and significance to an already extraordinary piece, connecting it not only to a defining moment in Israeli history but also to individuals who played critical roles in shaping it. This artifact, both visually stunning and deeply meaningful, is a tangible connection to the enduring legacy of the Six-Day War and the liberation of Jerusalem. It is a testament to the bravery of the soldiers who fought and the indomitable spirit of a nation reclaiming its heritage. 9.5 x 7in; In Very Good Condition

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KOTEL PARATROOPERS: PLACE A BID

FIRST YOM HAATZMAUT POSTER
'THE NATIONS WILL FOLLOW YOUR LIGHT'
1949, ISRAEL

RESERVE: $10,600 (estimate $12,600-$18,000)

This historic and visually striking poster was created to commemorate Israel’s first Yom HaAtzmaut (Independence Day) in 1949. It stands as a vibrant testament to the birth of the Jewish State, capturing the raw energy, unyielding spirit, and profound joy of a nation reclaiming its sovereignty. Designed by the acclaimed Franz Kraus for Keren HaYesod, this masterpiece of Zionist art skillfully combines powerful visuals with a profound biblical message. At the center of the composition, a hand raising a flaming torch—flanked by two olive branches—symbolizes enlightenment, peace, and renewal. Below the imagery, a verse from the Book of Isaiah (60:3) is prominently displayed: “The nations will follow your light” (וְהָֽלְכ֥וּ גוֹיִ֖ם לְאוֹרֵ֑ךְ). This prophetic declaration celebrates Israel’s role as a beacon of hope and inspiration for the world. Franz Kraus, a pioneer in Israeli design, infused the piece with symbolism and optimism, reflecting the aspirations of the young state. His bold and evocative style, dynamic compositions, and vibrant use of color created an artwork that resonates deeply with both heritage and progress. A defining figure in Israeli graphic design, Kraus possessed a profound understanding of the era’s unique ambiance—marked by unity, innovation, and an unrelenting drive to build a brighter future. His iconic posters, including this one, now serve as poignant relics of a pivotal moment in history. Born 1905 in Austria, Kraus developed his artistic skills in Germany before making Aliyah to Tel Aviv in 1934. This poster was far more than an advertisement—it was a declaration of pride, unity, and resilience, embodying the collective celebration of the Jewish People as they fulfilled their ancient prophecy of independence. Created in the immediate aftermath of Israel’s founding, it remains an invaluable artifact, encapsulating the essence of a historic milestone. 26.75 x 18.5in; In Very Good Condition

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FIRST INDEPENDENCE: PLACE A BID

'TO YOUR HEALTH WITH MACCABEE BEER'
VINTAGE NOSTALGIC ADVERTISING POSTER
(L'CHAIM ELI BEER)

1970s, ISRAEL

RESERVE: $1,000 (estimate $2600-$3000)

Beer may not have been the first drink of the Jewish People, but it has certainly become a staple in modern Israel. In the Bible, wine was the dominant beverage of the ancient Israelites, while beer was more associated with their neighbors—the Phoenicians, Greeks, and Romans. Only later, after the Babylonian exile of the 6th century BCE, did Jews begin brewing beer in earnest. By the 4th century CE, rabbinic sages in Babylonia such as Rav Chisda and his student Rav Papa were known not only for their Torah wisdom, but also as skilled brewers whose beers were sold in the marketplace of Sura. Thus, beer has deep roots in Jewish life, both practical and cultural. Fast forward nearly two millennia to the rebirth of Jewish life in the Land of Israel: in 1934, the philanthropist James Armand de Rothschild and his associate Gaston Dreyfus founded the first local commercial brewery in Rishon LeZion, launching a modern industry. During the 1940s, as Australian troops passed through Mandate Palestine during the Second World War, the Nesher Brewery (established in 1935) expanded rapidly to supply beer both to soldiers and to the growing civilian market. Nesher became Israel’s very first commercial beer label and is still brewed today. The true giant of Israeli beer, however, was founded in 1952, when Louis Herzberg and investors established the National Brewery in Netanya—then the largest brewery in the Middle East, capable of producing over 400,000 barrels of beer annually. Its flagship label was Abir, a golden lager that dominated the Israeli beer scene for decades. By 1954, the brewery was already exporting 180,000 bottles of Abir to the United States, proudly introducing the taste of Israel abroad. In 1968, a new competitor arrived on the scene: Maccabee Beer, a crisp pilsner created by brewer Menachem Berliner. Named after the heroic Maccabees of the Hanukkah story, Maccabee quickly became a national favorite, marketed as a proud Israeli alternative to European imports and as a modern, refreshing beer for the young State of Israel. Throughout the 1970s, bold advertising campaigns promoted Maccabee as the beer of choice for gatherings, celebrations, and everyday life. The present lot—a vibrant 1970s original Israeli advertising poster boldly proclaiming “TO YOUR HEALTH WITH MACCABEE BEER”—captures that golden age of Israeli beer culture. It reflects not only a brand, but a moment in time: a confident, growing Israel of the 1970s, eager to celebrate its independence and modernity with a beer raised high. This poster, then, is far more than an advertisement. It is a piece of Zionist cultural history, embodying both the ancient Jewish connection to beer and the modern Israeli spirit of creativity, entrepreneurship, and celebration. A rare and nostalgic artifact from the 1970s, it is a tangible reminder of how the Jewish People, returned to their land, once again raised a glass and said: “L’Chaim—to your health Eli Beer!” 16x11.5in; In Excellent Condition

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BEER POSTER: PLACE A BID

EARLY HAND-CRAFTED FLAG
STATE OF ISRAEL
MID-20TH CENTURY, ISRAEL

RESERVE: $360 (estimate $600-$800)

We love seeing these retired old flags honored in style when framed prominently on the wall. Nothing compares to the pride one feels when knowing that the star and stripes of Israel’s blue and white flag had a long life fluttering in the breeze. Few symbols carry as much weight and meaning as the iconic blue and white flag of the State of Israel. More than a national emblem, it represents the enduring unity of the Jewish People, our faith, and our mission as a light unto the nations. This hand-crafted linen flag, sewn during the earliest days of Israel’s modern statehood, is a poignant tribute to the sacrifices and triumphs of the Zionist pioneers who transformed an ancient dream into a living reality. With its simple yet profound design, the Star of David flanked by two blue stripes symbolizing the traditional tallit, Israel’s flag has become a powerful representation of the Jewish journey. It embodies the painful past, resilient present, and hopeful future of the Jewish People, uniting those at home and abroad in shared heritage and purpose. This flag, lovingly sewn by hand, likely waved proudly in the years surrounding Israel’s founding, a time when the sacrifices of Israel’s founding Zionists forged the path to independence. It stood as a beacon of hope for generations, weathering the winds of a newly established homeland and symbolizing the collective resolve of a people who overcame insurmountable odds to achieve self-determination. Whether displayed prominently in a home, office, or institution, this historic flag serves as both a striking artifact and an enduring reminder of the ideals upon which the State of Israel was founded. This extraordinary piece invites us to honor the legacy of Israel’s creation and celebrate the unity and perseverance that continue to define the Jewish People. A timeless addition to any collection of Zionist history or Judaica, it stands as a testament to the enduring spirit of a nation and its People. 41 x 28.5in; In Good Condition with minor wear

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ISRAEL FLAG: PLACE A BID

HAPPY BIDDING!
#AM YISRAEL CHAI
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